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Intonations
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  • 2011DANCEHALL POLITICS: MOBILITY, SEXUALITY, AND SPECTACLES OF RACIAL RESPECTABILITY IN LATE COLONIAL TANGANYIKA, 1930s–196148 cited
  • 2010Transecting Security and Space in Maputo44 cited
  • 2020Housing middle-classness: formality and the making of distinction in Luanda43 cited
  • 2020DIY Verticality: The Politics of Materiality in Luanda30 cited
  • 2021Podcasts and new orality in the African mediascape28 cited
  • 2014Becoming famous: kuduro, politics and the performance of social visibility27 cited
  • 2019La ville des auditeurs : radio, rumba congolaise et droit à la ville dans la cité indigène de Léopoldville (1949-1960)26 cited
  • 2011New dialogues, old routes: emergent collaborations between Brazilian and Angolan music makers16 cited
  • 2010“Indépendance Cha Cha”: African Pop Music since the Independence Era15 cited
  • 2020Imagining Brazil in Africa: Capoeira's Transatlantic Roots and Routes15 cited
  • 2012Sungura in Zimbabwe and the Limits of Cosmopolitanism13 cited
  • 2018Decolonizing time through dance with Kwenda Lima: Cabo Verde, creolization, and affiliative afromodernity12 cited
  • 2012Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas10 cited
  • 2010

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Les « désirs d’être » du hip hop à Luanda
7 cited
  • 2020‘I opened the door to develop kuduro at JUPSON:’ Music Studios as Spaces of Collective Creativity in the Context of Electronic Dance Music in Angola6 cited
  • 2018Ritual roles of “African nights” DJs in Lisbon6 cited