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Creative Labour
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Creative Labour (2009)Creative LabourReflecting on cultural labour in the time of AI (2024)Reflecting on cultural labour…Not “what”, but “where is creativity?”: towards a relational-materialist approach to generative AI (2024)Not “what”, but “where is cre…‘It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: COVID-19 and New Forms of Inequality for Young Music-Makers (2021)‘It’s Turned Me from a Profes…Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries (2019)Care-ful Work: An Ethics of C…Informal creative labour practices: A relational work perspective (2018)Informal creative labour prac…Creative industries and economic growth: stability of creative products exports earnings (2018)Creative industries and econo…‘Shit is hard, yo’: young people making a living in the creative industries (2018)‘Shit is hard, yo’: young peo…Diversifying the creative: Creative work, creative industries, creative identities (2017)Diversifying the creative: Cr…Autonomy and resilience in cultural work: looking beyond the ‘creative industries’ (2017)Autonomy and resilience in cu…Identity-in-the-work and musicians’ struggles: the production of self-questioning identity work (2016)Identity-in-the-work and musi…Creative class politics: unions and the creative economy (2015)Creative class politics: unio…Birds of a Feather: Informal Recruitment Practices and Gendered Outcomes for Screenwriting Work in the UK Film Industry (2015)Birds of a Feather: Informal …Unpaid work in the UK television and film industries: Resistance and changing attitudes (2014)Unpaid work in the UK televis…Les études critiques en management (2013)Les études critiques en manag…An addictive environment: New Zealand film production workers’ subjective experiences of project-based labour (2012)An addictive environment: New…Waving, Not Drowning: Explaining and Exploring the Resilience of Labor Process Theory (2009)Waving, Not Drowning: Explain…Free Labor (2000)The Brave New World of Work (2000)Creative Labour: Media Work in Three Cultural Industries (2012)The labour market for jazz musicians in Paris and London: Formal regulation and informal norms (2015)Resistance and Resignation: Responses to Typecasting in British Acting (2017)“There’s No Way That You Get Paid to Do the Arts”: Unpaid Labour Across the Cultural and Creative Life Course (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)An Invitation of Reflexive Sociology (1993)An Integrative Model Of Organizational Trust (1995)Entangled expertise: Women’s use of social media in entrepreneurial work (2017)Hiding gender: How female composers manage gender identity (2018)Self-authorship and creative industries workers’ career decision-making (2018)The Constitution of Society. Outline of the Theory of Structuration (1984)Sensemaking in Organizations (1996)Betwixt and between: Role conflict, role ambiguity and role definition in project-based dual-leadership structures (2017)Boundaryless careers in the gig economy: An oxymoron? (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Working on my own: Measuring the challenges of gig work (2021)The Research Act: A Theoretical Introduction to Sociological Methods (1979)Identity Regulation as Organizational Control: Producing the Appropriate Individual (2002)Basics of Qualitative Research (3rd ed.): Techniques and Procedures for Developing Grounded Theory (2008)Graduate employability and higher education: Past, present and future (2018)From What to Where: A setting-sensitive approach to organizational storytelling (2019)More Than the Sum of My Parts: An Intrapersonal Network Approach to Identity Work in Response to Identity Opportunities and Threats (2020)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Identity : community, culture, difference (2003)Individual motivation among entrepreneurs in the creative and cultural industries: A self‐determination perspective (2019)Linking transformational leadership with employees’ engagement in the creative process (2019)The Site of Diversalizing: The Accomplishment of Inclusion in Intergenerational Dance (2019)CAPITAL ASSET PRICES: A THEORY OF MARKET EQUILIBRIUM UNDER CONDITIONS OF RISK* (1964)The Valuation of Risk Assets and the Selection of Risky Investments in Stock Portfolios and Capital Budgets (1965)Rules Rather than Discretion: The Inconsistency of Optimal Plans (1977)The impact of cultural industry on economic and employment growth in China (2020)Creative Industry 4.0: Towards a New Globalised Creative Economy (an Overview) (2022)Creativity in marketing: Examining the intellectual structure using scientometric analysis and topic modeling (2022)Building Theories from Case Study Research (1989)Systematic combining: an abductive approach to case research (2002)Five Misunderstandings About Case-Study Research (2004)‘Keep hoping, keep going’: Towards a hopeful sociology of creative work (2018)From surviving to thriving in the gig economy: A research agenda for individuals in the new world of work (2018)Relational Work in the Economy (2020)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Caring Democracy: Markets, Equality, and Justice (2013)(Not) Getting Paid to Do What You Love (2017)Practices of hope: care, narrative and cultural democracy (2019)Do the cultural industries offer labour market opportunities for women and youth? A global south case study (2020)Extending the Theory of Planned Behavior – A Longitudinal Study of Entrepreneurial Intentions (2022)Theoretical Sensitivity: Advances in the Methodology of Grounded Theory (1978)Competing paradigms in qualitative research. (1994)‘Thriving instead of surviving’: A capability approach to geographical career transitions in the creative industries (2020)From Passion to Compassion: A Caring Inquiry into Creative Work as Socially Engaged Art (2020)The pandemic politics of cultural work: collective responses to the COVID-19 crisis (2022)I.—COMPUTING MACHINERY AND INTELLIGENCE (1950)Reassembling the Social (2005)Capital: A Critique of Political Economy (2020)Achieving green competitive advantage through generative AI: the mediating roles of organisational creativity and green innovation ambidexterity in manufacturing (2025)Generative Artificial Intelligence and the Creative Industries: A Bibliometric Review and Research Agenda (2026)
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  • 2018Informal creative labour practices: A relational work perspective137 cited
  • 2016Identity-in-the-work and musicians’ struggles: the production of self-questioning identity work114 cited
  • 2019Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries83 cited
  • 2015Birds of a Feather: Informal Recruitment Practices and Gendered Outcomes for Screenwriting Work in the UK Film Industry81 cited
  • 2012An addictive environment: New Zealand film production workers’ subjective experiences of project-based labour78 cited
  • 2014Unpaid work in the UK television and film industries: Resistance and changing attitudes60 cited
  • 2024Not “what”, but “where is creativity?”: towards a relational-materialist approach to generative AI50 cited
  • 2018Creative industries and economic growth: stability of creative products exports earnings44 cited
  • 2017Diversifying the creative: Creative work, creative industries, creative identities40 cited
  • 2018‘Shit is hard, yo’: young people making a living in the creative industries36 cited
  • 2013Les études critiques en management35 cited
  • 2009Waving, Not Drowning: Explaining and Exploring the Resilience of Labor Process Theory34 cited
  • 2024Reflecting on cultural labour in the time of AI33 cited

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  • 2017Autonomy and resilience in cultural work: looking beyond the ‘creative industries’33 cited
  • 2021‘It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: COVID-19 and New Forms of Inequality for Young Music-Makers31 cited
  • 2015Creative class politics: unions and the creative economy28 cited