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Cited by

• 2013Music, Sound, and the Laboratory from 1750 to 198038 cited
• 2013The Electrical Imagination: Sound Analogies, Equivalent Circuits, and the Rise of Electroacoustics, 1863–193933 cited
• 2015Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics32 cited
• 2020How the sheng became a harp16 cited
• 2010Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution16 cited
• 2013Listening to the Piano Pedal: Acoustics and Pedagogy in Late Nineteenth-Century Contexts14 cited
• 2009The Wheatstone Concertina and Symmetrical Arrangements of Tonal Space10 cited
• 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
• 2020The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound7 cited
• 2022Toward a “Global” History of Music Theory4 cited
• 20213. Education and Classical Music3 cited
• 2021Classical Music3 cited
• 2020Tuning forks as time travel machines: pitch standardisation and historicism3 cited
• 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited