Daubing Titipu: Transnational Material Contexts of Nineteenth-Century Hand-Colored Photography in Japan

Rahul Sharma

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Photographic and Visual Arts Japanese History and Culture Photography and Visual Culture

Abstract

Abstract This article examines the photographic paper and the colorant in an album of hand-colored photographs made in Japan and explores the interconnectedness between industry and the arts. To do so, it looks at the historical discourse over hand-coloring materials and follows the chain of manufacture for albumen paper in Europe, comparing both to the material evidence in the album. By doing so, this article shows that the networks of information transfer, labor, and capital worked in tandem to create the conditions of production for the photographs.

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References

1998Camera Indica: the social life of Indian photographs 2018A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods 2003The History of Japanese Photography 1988The Ozone Fading of Traditional Japanese Colorants 2015Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics 1997The painted photograph, 1839-1914: origins, techniques, aspirations 2020Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis 2005Hokusai and the Blue Revolution in Edo Prints

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