References

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• 2018A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods50 cited
• 2003The History of Japanese Photography47 cited
• 1988The Ozone Fading of Traditional Japanese Colorants46 cited
• 2015Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics32 cited
• 1997The painted photograph, 1839-1914: origins, techniques, aspirations27 cited
• 2020Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis24 cited
• 2005Hokusai and the Blue Revolution in Edo Prints16 cited
• 2020Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century14 cited
• 2006Hokusai and his age: ukiyo-e painting, printmaking and book illustration in late Edo Japan14 cited
• 2015The Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama9 cited
• 2011Felice Beato: a photographer on the Eastern road9 cited
• 1978The Manufacture and Use of Albumen Paper7 cited
• 2009Samuel Cocking and the Rise of Japanese Photography5 cited