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Cited by

• 2017Global Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity103 cited
• 2022The Phenomenon and Development of K-Pop: The Relationship between Success Factors of K-Pop and the National Image, Social Network Service Citizenship Behavior, and Tourist Behavioral Intention30 cited
• 2018Diasporic youth culture of K-pop22 cited
• 2022K-Pop’s Global Success and Its Innovative Production System18 cited
• 2021Success Factors and Sustainability of the K-Pop Industry: A Structural Equation Model and Fuzzy Set Analysis18 cited
• 2021‘Where all my bad girls at?’: cosmopolitan femininity through racialised appropriations in K-pop17 cited
• 2022Trammelled stars: the non-autonomy of female K-pop idols15 cited
• 2022When young female fans were producing celebrities: The influential factors related to online fan engagement, celebrity worship, and program commitment in idol-nurturing reality shows15 cited
• 2024Do K-Pop Consumers’ Fandom Activities Affect Their Happiness, Listening Intention, and Loyalty?7 cited
• 2025Uniting global fans and revolutionizing K-pop marketing: Weverse, a global fan community platform6 cited
• 2023The international strategy for Korean pop music: what makes K-pop listed on Billboard Hot 100?5 cited
• 2019When K-Pop andKugakMeet: PopularisingP’ansoriin Modern Korea5 cited
• 2022