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Cited by

• 2012How Marketplace Performances Produce Interdependent Status Games and Contested Forms of Symbolic Capital154 cited
• 2013The Eyes of the Beholder: Aesthetic Preferences and the Remaking of Cultural Capital125 cited
• 2007Material Culture and the Living Room61 cited
• 2006‘The feeling of exclusion’: Young peoples’ perceptions of art galleries37 cited
• 2008Dead bodies: The changing treatment of human remains in British museum collections and the challenge to the traditional model of the museum36 cited
• 2013Penal tourism and a tale of four cities: Reflecting on the museum effect in London, Sydney, Melbourne, and Buenos Aires35 cited
• 2005The predicament of diversity33 cited
• 2011Race on display: The ‘Melanian’, ‘Mongolian’ and ‘Caucasian’ galleries at Liverpool Museum (1896–1929)32 cited
• 2010Art Education, Class, and Gender in a Foreign Art Gallery: Nineteenth‐Century Cultural Travelers and the Prado Museum in Madrid31 cited
• 2017Engaging with the anti-museum? Visitors to the Museum of Old and New Art24 cited
• 2004Museums and Childhood23 cited
• 2005DISPLAY OPTIONS21 cited
• 2011Penal tourism in Argentina: Bridging Foucauldian and neo-Durkheimian perspectives21 cited
• 2008