SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Resisting muse: popular music and social protest
0 references·16 citing·54 second hop
The Resisting muse: popular music and social protest (2006)The Resisting muse: popular music and soc…The Ballad-Singer in Georgian and Victorian London (2021)The Ballad-Singer in Georgian…Music and Politics (2018)Music and PoliticsIstanbul sounding like revolution: the role of music in the Gezi Park Occupy movement (2018)Istanbul sounding like revolu…The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to th…Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’) (2016)Singer-songwriter authenticit…Musical gesture in the songs of Nick Drake (2016)Musical gesture in the songs …Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Gender, race, and the ma(s)ki…“We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War (2015)“We Listened to it Because of…NGOs as a framework for an education in and through music: Is the third sector viable? (2013)NGOs as a framework for an ed…The “Ground Zero” of Goth: Bauhaus, “Bela Lugosi's Dead” and the Origins of Gothic Rock (2012)The “Ground Zero” of Goth: Ba…From “Badman” to “Gangsta”: Double Consciousness and Authenticity, from African-American Folklore to Hip Hop (2012)From “Badman” to “Gangsta”: D…‘The Age of the Beatles’: Parliament and Popular Music in the 1960s (2012)‘The Age of the Beatles’: Par…The production of English rock and roll stardom in the 1950s (2011)The production of English roc…“Doin' Our Thing”: Identity and Colonial Modernity in Okinawan Rock Music (2011)“Doin' Our Thing”: Identity a…Aboriginal youth, hip hop and the politics of identification (2010)Aboriginal youth, hip hop and…Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa (2008)Developing a retro brand comm…Visual Pleasure and Narrative Cinema (1975)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Gender trouble: feminism and the subversion of identity (1990)Crossing Style Borders: New Inroads in Training Teachers of Singing (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Rock Guitar Virtuosos (2023)Hooligan (1983)Stars (1998)The Production of Culture Perspective (2004)Turning Values into Revenue: The Markets and the Field of Popular Music in the US, the UK and West Germany (1940s to 1980s) (2011)Popular Music, Stars and Stardom (2018)Music as symbolic action (2023)Modernity and self-identity: self and society in the late modern age (1992)Risk Society, Towards a New Modernity (1994)Indigenous in the city: the politics of urban Mapuche identity in Chile (2016)Indigenous Memes and the Invention of a People (2017)Decolonial Hip Hop: Indigenous Hip Hop and the disruption of settler colonialism (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Distinction: A Social Critique of the Judgement of Taste (1986)The Sixties: Cultural Revolution in Britain, France, Italy, and the United States, c. 1958-c. 1974 (1999)« Within You Without You » : les Beatles et la gauche britannique (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)The Beatles and Sixties Britain (2020)READING THE VAMPIRE (1994)Popular Music and Society (1996)Rip it up and start again : postpunk 1978-1984 (2006)Time Machine Fashion: Neo-Victorian Style in Twenty-First Century Subcultures (2013)Dark timbre: the aesthetics of tone colour in goth music (2017)Becoming and being goth: How goths remember the scene’s transition from the eighties into the nineties (2021)Social Capital in the Creation of Human Capital (1988)Handbook of Qualitative Research (1994)Social Capital in the Creation of Human Capital (2000)Critical Leadership and Music Educational Practice (2012)Editorial Introduction: Recognizing the Rural (2016)Policy as Practice (2019)Greed and Grievance in Civil War (2000)Reading the Popular (2006)Music as social life: the politics of participation (2009)Hybrid Warriors and the Formation of New War Masculinities: A Case Study of Indonesian Foreign Fighters (2018)Culprit or Accomplice: Observations on the Role and Perception of Music in Violent Contexts in the Sierra Leone War (2020)Nigerian Afrobeats and Religious Stereotypes: Pushing the Boundaries of a Music Genre Beyond theLocus of Libertinism (2020)The Global City (1991)Turkey: A Modern History (1993)Social Movements And Culture (2010)Music Videos as Protest Communication: (2019)The Aesthetics of Global Protest (2020)COVID-19 and the Ugandan Presidential Election: Contesting Lockdown Authority in Popular Songs (2022)Noise: The Political Economy of Music (1986)Cities of the dead: circum-Atlantic performance (1996)Music in Everyday Life (2000)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)‘Another conspiracy about a royalty-free song’: Library music in contemporary political discourse (2024)It’s My Party (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Aboriginal youth, hip hop and the politics of identification40 cited
  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2012The “Ground Zero” of Goth: Bauhaus, “Bela Lugosi's Dead” and the Origins of Gothic Rock30 cited
  • 2013NGOs as a framework for an education in and through music: Is the third sector viable?22 cited
  • 2021The Ballad-Singer in Georgian and Victorian London22 cited
  • 2011The production of English rock and roll stardom in the 1950s19 cited
  • 2015“We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War19 cited
  • 2012‘The Age of the Beatles’: Parliament and Popular Music in the 1960s18 cited
  • 2018Music and Politics18 cited
  • 2018Istanbul sounding like revolution: the role of music in the Gezi Park Occupy movement16 cited
  • 2011“Doin' Our Thing”: Identity and Colonial Modernity in Okinawan Rock Music14 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2008Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

10 cited
  • 2012From “Badman” to “Gangsta”: Double Consciousness and Authenticity, from African-American Folklore to Hip Hop10 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited