The aim of this paper is to describe and exemplify a theoretical perspective for the analysis of music as symbolic action in critical studies of discourse. We use deployments of music by legislatures in Australia, the UK, and the USA as exemplar cases to develop foundations for a critical, non-semiotic perspective that sees music work as gestalt complexes of physical and cultural forces that move people towards or away from specific actions and attitudes. In presenting our perspective we critique some semiotic assertions about music that are commonplaces in discourse studies and elsewhere. Our cases draw on news reports and scholarly discourse about the use of music as a means of torture in warfare and as a means of purifying urban public spaces by keeping youth and homeless people out of them at night.
Stored only when both papers are in the corpus — 6 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.