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Alban Berg
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Alban Berg (1991)Alban BergAlban Berg's Op. 5/2 and the Concept of Recomposition (2024)Alban Berg's Op. 5/2 and the …Liquidation and Its Origins (2019)Liquidation and Its OriginsCounterfeit Culture (2019)Counterfeit CultureAn Introduction to Philosophical Praxis (Level of Philosophical Praxis: Level 4) (2016)An Introduction to Philosophi…Acordes e desacordos (2013)Acordes e desacordosT he U nwritable in F ull P ursuit of the U nreadable :1 A dorno ' s P hilosophie der neuen M usik in T ranslation (2011)T he U nwritable in F ull P u…Sounding fascism: T. W. Adorno and the political susceptibility of music (1999)Sounding fascism: T. W. Adorn…Reference and Association in the Vier Lieder, Op. 2, of Alban Berg (1999)Reference and Association in …Of Modell-Typen and Modell-Typen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation (1995)Of Modell-Typen and Modell-Ty…Alban Berg and Peter Altenberg: Intimate Art and the Aesthetics of Life (1993)Alban Berg and Peter Altenber…The sublime object of ideology (1990)The Origins of Totalitarianism (2018)Dialectic of Enlightenment (2020)College Music Symposium (1962)The Music of Alban Berg (1979)Modern Austrian literature (1991)Emotion and Meaning in Music (1957)The Structure of the "Ring" and Its Evolution (1977)The New Grove Dictionary of Music and Musicians (1982)Transformational Distance and Form in Berg’s “Schlafend trägt man mich” (2009)Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg (2013)VOICE‐LEADING ENERGETICS IN WAGNER'S ‘TRISTAN IDIOM’ (2015)Poetry, Language, Thought (1972)Dialectic of enlightenment : philosophical fragments (2002)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea. Selected Writings of Arnold Schoenberg (1976)Quasi una fantasia: essays on modern music (1993)Schoenberg and redemption (2015)The Rites Of Passage (1961)Problems of Dostoevsky's Poetics (1984)Speech Genres and Other Late Essays (1986)Perspectives of New Music (1963)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Cadence as Gesture in the Writings and Music of Arnold Schoenberg (2022)Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” (2023)The Principles of Psychology (1891)The Dialogic Imagination: Four Essays (1981)The Postmodern Condition: A Report on Knowledge (1984)Materials and techniques of twentieth-century music (1984)Studies on the Origin of Harmonic Tonality (1990)Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)The Anxiety of Influence: A Theory of Poetry (1974)Classic Music: Expression, Form, and Style (1981)Feminine Endings: Music, Gender, and Sexuality (1992)
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Cited by

  • 1993Alban Berg and Peter Altenberg: Intimate Art and the Aesthetics of Life14 cited
  • 2019Counterfeit Culture13 cited
  • 1999Reference and Association in the Vier Lieder, Op. 2, of Alban Berg7 cited
  • 1995Of Modell-Typen and Modell-Typen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation6 cited
  • 2019Liquidation and Its Origins6 cited
  • 2024Alban Berg's Op. 5/2 and the Concept of Recomposition2 cited
  • 2013Acordes e desacordos2 cited
  • 1999Sounding fascism: T. W. Adorno and the political susceptibility of music2 cited
  • 2011T he U nwritable in F ull P ursuit of the U nreadable :1 A dorno ' s P hilosophie der neuen M usik in T ranslation2 cited
  • 2016An Introduction to Philosophical Praxis (Level of Philosophical Praxis: Level 4)0 cited

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