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Nothing Happens
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  • 2003Death Every Afternoon126 cited
  • 2004Andy Warhol’s Blow Job52 cited
  • 2011A HISTORY LONG OVERDUE:28 cited
  • 2003The Screen of Fantasy (Bazin and Animals)27 cited
  • 2018“WE DON’T NEED TO DREAM NO MORE. WE GOT REAL ESTATE”:21 cited
  • 2019Sorority flow: the rhetoric of sisterhood in post-network television15 cited
  • 2012Import/Export: Housework in an International Frame14 cited
  • 2011MECHANICAL CRAFTSMANSHIP:12 cited
  • 2011PASTORAL EXHIBITION:12 cited
  • 2014Sniffing the city: issues of sousveillance in inner city London12 cited
  • 2003History of Image, Image of History12 cited
  • 2007She's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema10 cited
  • 2017Documenting the Domestic: Chantal Akerman's Experimental Autobiography as Archive9 cited
  • 2022Not Yet7 cited
  • 2011PROJECTING THE PROMISE OF 16MM, 1935–457 cited
  • 2011Sensory everyday: Space, materiality and the body in the films of Tsai Ming-liang

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7 cited