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Cited by

• 2015Screenwriters in post-war French cinema: an overview40 cited
• 2020The rise of the ‘Netflix tax’ and what it means for sustaining European audiovisual markets37 cited
• 2019Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender13 cited
• 2018Accumulated and Accumulable Cultures: The Case of Public and Private Initiatives toward K-Pop8 cited
• 2018Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea6 cited
• 2013Variations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown6 cited
• 2012Linguistic difference as ontological sameness in Bienvenue chez les Ch'tis (2008)4 cited