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BELIEFS AND CUSTOMS OF THE |XAM BUSHMEN
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BELIEFS AND CUSTOMS OF THE |XAM BUSHMEN (1933)BELIEFS AND CUSTOMS OF THE |XAM BUSHMENThe Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa (2022)The Impact of Contact and Col…Fluidities of personhood in the idioms of the Maloti-Drakensberg, past and present, and their use in incorporating contextual ethnographies in southern African rock art research (2022)Fluidities of personhood in t…The Doring River bullroarers rock painting: Continuities in sound and rainmaking (2020)The Doring River bullroarers …Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research (2018)Frogs or people: Dorothea Ble…Bridging Realms: Towards Ethnographically Informed Methods to Identify Religious and Artistic Practices in Different Settings (2014)Bridging Realms: Towards Ethn…‘Different people’ coming together: representations of alterity in ∣Xam Bushman (San) narrative (2014)‘Different people’ coming tog…Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa (2013)Ritual fauna from Ratho Kroon…Engraved art and acoustic resonance: exploring ritual and sound in north-western South Africa (2009)Engraved art and acoustic res…Broken strings: interdisciplinarity and /Xam oral literature (2009)Broken strings: interdiscipli…Myths, Making, and Consciousness (2008)Myths, Making, and Consciousn…Roots and revolutions: a critical overview of early and late San rock art research (2006)Roots and revolutions: a crit…Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal? (2003)Eland and Therianthropes in S…Thaba Sione (1996)Thaba SioneRock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed (1993)Rock art and changing percept…The rain bull of the South African Bushmen (1979)The rain bull of the South Af…Led by the nose: observations on the supposed use of southern San rock art in rain‐making rituals (1977)Led by the nose: observations…Outline of a Theory of Practice (1977)Gender Trouble: Feminism and the Subversion of Identity (1991)Art and Agency: An Anthropological Theory (1999)San rock art: evidence and argument (2015)Shamanism: Archaic Techniques of Ecstasy (1951)Shamanism: Archaic Techniques of Ecstasy (1964)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Icons and archives: the Orpen lithograph in the context of 19th-century depictions of rock paintings (2014)Image-Makers (2019)Image-Makers: The Social Context of a Hunter-Gatherer Ritual (2019)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Perception of the Environment (2002)Analogy in Archaeological Interpretation (1961)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)The cultural and symbolic significance of the African rhinoceros: a review of the traditional beliefs, perceptions and practices of agropastoralist societies in southern Africa (2014)An Archaeological Contribution to the Kalahari Debate from the Middle Limpopo Valley, Southern Africa (2021)La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)The !Kung of Nyae Nyae (1976)Anthropology as Cultural Critique (1999)Capturing the Spoor: Towards Explaining Kudu in San Rock Art of the Limpopo-Shashi Confluence Area (1999)Red Lines and Arrows: Attributes of Supernatural Potency in San Rock Art of the Northern Province, South Africa and South-Western Zimbabwe (1999)Seeking shelter: Later Stone Age hunters, gatherers and fishers of Olieboomspoort in the western Waterberg, south of the Limpopo (2008)The Wawanga and Other Tribes of the Elgon District, British East Africa. (1913)Reaction to Conquest (1961)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Water Bull of the /Xam (1998)The Native Tribes of South West Africa (2012)Religion as a Cultural System (2010)Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data (2011)Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa (2011)TRACING THE EMERGENCE OF PALAEOART IN SUB-SAHARAN AFRICA (2013)Oral Literature in Africa (1971)Oral Literature in Africa (2012)Op die spoor van vermeende letterdiefstal: Holografiese Argeologie, GR von Wielligh en die Bleek en Lloyd-argief (2023)Hunter and Habitat in the Central Kalahari Desert. (1982)Digital technologies in context: Prehistoric engravings in the Northern Cape, South Africa (2015)The Death of the Agama Lizard: The Historical Significances of a Multi-authored Rock-art Site in the Northern Cape (South Africa) (2015)Relational ontologies and performance: Identifying humans and nonhuman animals in the rock art from north-eastern Kimberley, Australia (2021)Ethnic Groups and Boundaries (1969) (1996)Culture and Cognition (1997)Being alive essays on movement, knowledge and description (2011)Becoming elands’ people: Neoglacial subsistence and spiritual transformations in the Maloti-Drakensberg Mountains, southern Africa (2023)Exploring personhood and identity marking: paintings of lions and felines in San rock art sites from the southern Maloti-Drakensberg and northeastern Stormberg, South Africa. (2023)Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa (2025)
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  • 2008Myths, Making, and Consciousness34 cited
  • 1996Thaba Sione33 cited
  • 2009Engraved art and acoustic resonance: exploring ritual and sound in north-western South Africa33 cited
  • 1979The rain bull of the South African Bushmen32 cited
  • 2009Broken strings: interdisciplinarity and /Xam oral literature30 cited
  • 2013Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa28 cited
  • 2003Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal?26 cited
  • 2014‘Different people’ coming together: representations of alterity in ∣Xam Bushman (San) narrative24 cited
  • 1993Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed23 cited
  • 2022The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa20 cited
  • 2022Fluidities of personhood in the idioms of the Maloti-Drakensberg, past and present, and their use in incorporating contextual ethnographies in southern African rock art research11 cited
  • 1977Led by the nose: observations on the supposed use of southern San rock art in rain‐making rituals10 cited
  • 2006Roots and revolutions: a critical overview of early and late San rock art research9 cited

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  • 2018Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research8 cited
  • 2020The Doring River bullroarers rock painting: Continuities in sound and rainmaking6 cited
  • 2014Bridging Realms: Towards Ethnographically Informed Methods to Identify Religious and Artistic Practices in Different Settings6 cited