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Cited by

• 2009How to have a radically minimal ontology225 cited
• 2017Descriptivism and Its Discontents52 cited
• 2019The Metaphysics of Establishments46 cited
• 2015What Is a Recipe?44 cited
• 2018Why can’t I change Bruckner’s Eighth Symphony?43 cited
• 2012Adventures in the metaontology of art: local descriptivism, artefacts and dreamcatchers43 cited
• 2008Musical Works: Ontology and Meta‐Ontology41 cited
• 2012Performing Works of Music Authentically31 cited
• 2017A Return to Musical Idealism31 cited
• 2017Types, Tokens, and Talk about Musical Works27 cited
• 2021Musical Works as Structural Universals26 cited
• 2023Musical Ontology and the Audibility of Musical Works26 cited
• 2017The Ontology of Musical Works and the Role of Intuitions: An Experimental Study26 cited
• 2008Modality, Individuation, and the Ontology of Art21 cited
• 2019The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types20 cited
• 2008New Waves in Musical Ontology