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The Fine Art of Rap
0 references·14 citing·51 second hop
The Fine Art of Rap (1991)The Fine Art of RapSounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie (2023)Sounds of displeasure: a text…When Fashion Meets Art: The Artification of Luxury Fashion Brands (2020)When Fashion Meets Art: The A…Signifyin(g) within African American Classical Music: Linking Gates, Hip‐Hop, and Perkinson (2019)Signifyin(g) within African A…Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music (2017)Strangers of Popular Culture …Rebels Without a Pause: Hip‐hop and Resistance in the City (2014)Rebels Without a Pause: Hip‐h…Pętle, sample i podbicia: techniki kompozycji i struktura utworu hip-hopowego (2014)Pętle, sample i podbicia: tec…The sincerest form of flattery: Innovation, repetition, and status in an art movement (2013)The sincerest form of flatter…Hiphop Africa: new African music in a globalizing world (2013)Hiphop Africa: new African mu…DJ Spooky and the Politics of Afro-Postmodernism (2010)DJ Spooky and the Politics of…“Can’t C Me” (2009)“Can’t C Me”Live Hip Hop, Collective Agency, and “Acting in Concert” (2006)Live Hip Hop, Collective Agen…Australian Hip Hop: A Sociolinguistic Investigation (2006)Australian Hip Hop: A Socioli…Recycling urban spaces (1999)Recycling urban spacesGender or Genre? Emotion models in commercial rap and country music (1996)Gender or Genre? Emotion mode…Blues, Ideology, and Afro-American Literature (1984)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Everybody was Kung Fu fighting: Afro-Asian connections and the myth of cultural purity (2002)When Beats Meet Critique: Sample-Based Hip-Hop as Knowledge-Practice (2015)Improvisation and Social Aesthetics (2017)Turn On, Tune In, Drift Off (2022)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Truly Disadvantaged: The Inner City, The Underclass, and Public Policy. (1988)The Truly Disadvantaged. The Inner City, the Underclass, and Public Policy. By William Julius Wilson. Chicago: University of Chicago Press, 1987. 254p. $19.95. (1988)“I found the truth in Foot Locker”: London 2011, Urban Culture, and the Post‐Political City (2016)The digital subversion of urban space: power, performance and grime (2018)(De)coupling race and language: The state listening subject and its rearticulation of antiracism as racism in Singapore (2021)That's the Joint! (2004)Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania (2005)“The Old Man Is Dead”: Hip Hop and the Arts of Citizenship of Senegalese Youth (2014)‘The world is yours’: the globalization of hip-hop language (2016)On African Music (2023)The Population Ecology of Organizations (1977)The Field of Cultural Production: Essays on Art and Literature (1996)‘Absolutely free’? The role of relational work in sustaining artistic innovation (2016)Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Creative visions: Presenting aesthetic trajectories in artistic careers (2019)The Managed Heart (1983)The Anthropology of Emotions (1986)Subculture: The Meaning of Style (1995)Media/Visual Literacy Art Education: Sexism in Hip-Hop Music Videos (2007)“Boys ‘Round Here”: Masculine Life-Course Narratives in Contemporary Country Music (2019)Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles (2022)Research Design in Social Research (2001)Research design in social research (2002)Communication Across Cultures: Mutual Understanding in a Global World (2007)Communication across Cultures (2014)Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)Sociolinguistic Theory (2017)Between past and future eight exercises in political thought (1987)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere. (1995)Trap(ped) music and masculinity: The cultural production of Southern Hip -Hop at the intersection of corporate control and self -construction (2009)Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene (2010)Sifting signal from noise: A new perspective on the meaning of tweets about the “big game” (2014)Domination and the arts of resistance: hidden transcripts (1991)Rap on Trial (2014)Domination and the Arts of Resistance (2017)The ‘street’ construct and mass-mediated identities in Nigerian hip hop (2020)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Production of Space (1992)Questions of Cultural Identity (1997)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)Strategic Brand Concept-Image Management (1986)Interest and Agency in Institutional Theory (1988)
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Cited by

  • 2006Australian Hip Hop: A Sociolinguistic Investigation71 cited
  • 2013The sincerest form of flattery: Innovation, repetition, and status in an art movement55 cited
  • 2013Hiphop Africa: new African music in a globalizing world55 cited
  • 2014Rebels Without a Pause: Hip‐hop and Resistance in the City45 cited
  • 2009“Can’t C Me”28 cited
  • 2006Live Hip Hop, Collective Agency, and “Acting in Concert”28 cited
  • 2010DJ Spooky and the Politics of Afro-Postmodernism22 cited
  • 2020When Fashion Meets Art: The Artification of Luxury Fashion Brands15 cited
  • 1996Gender or Genre? Emotion models in commercial rap and country music11 cited
  • 1999Recycling urban spaces11 cited
  • 2017Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music6 cited
  • 2019Signifyin(g) within African American Classical Music: Linking Gates, Hip‐Hop, and Perkinson5 cited
  • 2014Pętle, sample i podbicia: techniki kompozycji i struktura utworu hip-hopowego4 cited
  • 2023Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie3 cited

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