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Cited by

• 2021A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire8 cited
• 2011Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006.6 cited
• 1998The Elusive Fantasy: Genre, Form, and Program in Tchaikovsky's "Francesca da Rimini"5 cited
• 2018Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude3 cited
• 2022Präexistente Musik im Film3 cited
• 2013Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form3 cited
• 2020Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 20192 cited
• 2009Tonalität in Franz Schuberts späten Sonatenformen. Überlegungen zum Kopfsatz des Klaviertrios B-Dur D 8982 cited