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Thomas Heywood's Theatre, 1599–1639
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Thomas Heywood's Theatre, 1599–1639 (2016)Thomas Heywood's Theatre, 1599–1639Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece (2016)Sung Silence: Complicity, Dra…Thomas Dekker and the emergence of city comedy (2012)Thomas Dekker and the emergen…The Cambridge Companion to Shakespeare and Contemporary Dramatists (2012)The Cambridge Companion to Sh…George Chapman’s learned drama (2012)George Chapman’s learned drama‘The words of Mercury’ (2012)‘The words of Mercury’The Illusion of Power (1975)Renaissance Self-Fashioning from More to Shakespeare (1981)Renaissance Self-Fashioning from More to Shakespeare (1982)Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)The Body Embarrassed (1993)The Rapes of Lucretia: A Myth and Its Transformations (1984)Shakespeare and the Question of Theory (1987)Chaste Thinking: The Rape of Lucretia and the Birth of Humanism (1990)Rape, Massacre, The Lucrece Tradition, and Alarum for London (2017)Why was The Knight of the Burning Pestle Revived? (2019)
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  • 2016Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece12 cited
  • 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
  • 2012‘The words of Mercury’2 cited
  • 2012George Chapman’s learned drama2 cited
  • 2012Thomas Dekker and the emergence of city comedy2 cited

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