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Highpoints
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Highpoints (1997)HighpointsClimax Building in Verismo Opera (2020)Climax Building in Verismo Op…Form, Diversity, and Lack of Fulfillment in the First Movement of Schumann’sFantasieop. 17 (2014)Form, Diversity, and Lack of …Relationships Between Lyrics And Melody In Popular Music. (2009)Relationships Between Lyrics …Music as Discourse (2008)Music as DiscourseRedefining Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals (2000)Redefining Pitch Proximity: T…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Human behavior and the principle of least effort (1949)Emotion and Meaning in Music (1961)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Introduction to Time Series and Forecasting (2002)Large-scale iterated singing experiments reveal oral transmission mechanisms underlying music evolution (2023)Speech rhythm and rhythmic taxonomy (2002)Comparing the rhythm and melody of speech and music: The case of British English and French (2006)Tra-la-Lyrics: An approach to generate text based on rhythm (2007)English in The Voice of China (2017)Course in General Linguistics (1960)Discourse, Consciousness, and Time: The Flow and Displacement of Conscious Experience in Speaking and Writing (1994)Cultural Constraints on Grammar and Cognition in Pirahã (2005)Hollywood Cadences (2013)Key Components of Musical Discourse Analysis (2013)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)Style and music: theory, history, and ideology (1990)Classical Form (1998)
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  • 2008Music as Discourse83 cited
  • 2000Redefining Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals53 cited
  • 2009Relationships Between Lyrics And Melody In Popular Music.34 cited
  • 2014Form, Diversity, and Lack of Fulfillment in the First Movement of Schumann’sFantasieop. 174 cited
  • 2020Climax Building in Verismo Opera3 cited

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