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• 2005Identification of natural dyes used in works of art by pyrolysis–gas chromatography/mass spectrometry combined with in situ trimethylsilylation55 cited
• 2010Fungal deterioration of a Jesuit South American polychrome wood sculpture43 cited
• 2003Suppression of pigment interference in the gas chromatographic analysis of proteinaceous binding media in paintings with EDTA39 cited
• 1999Blue Pigments in South American Painting (1610–1780)37 cited
• 2006Study of the microbiodegradation of terpenoid resin-based varnishes from easel painting using pyrolysis–gas chromatography–mass spectrometry and gas chromatography–mass spectrometry35 cited
• 2001Electrochemical analysis of the alterations in copper pigments using charge transfer coefficient/peak potential diagrams. Application to microsamples of baroque wall paintings attached to polymer film electrodes29 cited
• 2005Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass spectrometry27 cited
• 2012The Fall into Oblivion of the Works of the Slave Painter Juan de Pareja16 cited
• 2016Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile16 cited
• 1975Velázquez andLas Meninas15 cited
• 1998Contribution to the study of grounds for panel painting of the Spanish School in the fifteenth and sixteenth centuries10 cited
• 2012La imagen del mártir en el Barroco: el Ánimo Invencible