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Cited by

• 2014Fashion with a Foreign Flair: Professional Experiences Abroad Facilitate the Creative Innovations of Organizations250 cited
• 2017The microlevel actions undertaken by owner‐managers in improving the sustainability practices of cultural and creative small and medium enterprises: A United Kingdom–Italy comparison204 cited
• 2017On Styles in Product Design: An Analysis of U.S. Design Patents66 cited
• 2016Which boundaries? How mobility networks across countries and status groups affect the creative performance of organizations50 cited
• 2019Explaining the Popularity of Cultural Elements: Networks, Culture, and the Structural Embeddedness of High Fashion Trends48 cited
• 2020Inside the Critics’ Circle: Book Reviewing in Uncertain Times43 cited
• 2013Empires, Federated Arrangements, and Kingdoms: Using Political Models of Governance to Understand Firms’ Creative Performance40 cited
• 2012Trend Networks: Multidimensional Proximity and the Formation of Aesthetic Choices in the Creative Economy31 cited
• 2018Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries31 cited
• 2022Missing the Forest for the Trees: Modular Search and Systemic Inertia as a Response to Environmental Change30 cited
• 2021To be in Vogue: How mere proximity to high‐status neighbors affects aspirational pricing in the U.S. fashion industry11 cited
• 2014Drivers of China’s Desire for Luxury and Consequences for Luxury Brands