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Impro (1981)ImproFree improvisation in choral settings: An ecological perspective (2021)Free improvisation in choral …Improvising in the vulnerable encounter: Using improvised participatory theatre in change for healthcare practice (2018)Improvising in the vulnerable…Performing Surgery: Commonalities with Performers Outside Medicine (2016)Performing Surgery: Commonali…The USC CreativeIT database of multimodal dyadic interactions: from speech and full body motion capture to continuous emotional annotations (2015)The USC CreativeIT database o…Improvised Performance: Nurturing Natural Leadership (2014)Improvised Performance: Nurtu…Ethnographic findings in the organizational theatre (2013)Ethnographic findings in the …The quality of conversations in participatory innovation (2010)The quality of conversations …Improvisation and Education: Learning Through? (2010)Improvisation and Education: …Narrative Development in Improvisational Theatre (2009)Narrative Development in Impr…Drama Techniques (2005)Drama TechniquesToward a Third Space: Improvisation and Professionalism in Social Work (2003)Toward a Third Space: Improvi…The Masks of Greek Tragedy as Point of Departure for Modern Performance (2001)The Masks of Greek Tragedy as…Planning Lessons and Courses (2001)Planning Lessons and Courses“Yes and...”: Introducing Improvisational Theatre Techniques to the Management Classroom (2001)“Yes and...”: Introducing Imp…Some Fifth-Century Masking Conventions (1999)Some Fifth-Century Masking Co…Learning to Trust and Trusting to Learn (1998)Learning to Trust and Trustin…Story and Discourse: Narrative Structure in Fiction and Film (1979)A dictionary of narratology (1988)Introductory Essay—Improvisation as a Mindset for Organizational Analysis (1998)Studying and designing emotions in live interactions with the audience (2020)Social Learning Theory. 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(1935)Mind, Self, and Society (1967)The collective articulation of issues as design practice (2011)Altering participation through interactions and reflections in design (2012)Design Choices Framework for Co-creation Projects (2018)Theatre of the oppressed (2020)IEMOCAP: interactive emotional dyadic motion capture database (2008)A Multimodal Database for Affect Recognition and Implicit Tagging (2011)DEAP: A Database for Emotion Analysis ;Using Physiological Signals (2011)A Multimodal Facial Emotion Recognition Framework through the Fusion of Speech with Visible and Infrared Images (2020)Exploring contactless techniques in multimodal emotion recognition: insights into diverse applications, challenges, solutions, and prospects (2024)Multimodal emotion recognition: A comprehensive review, trends, and challenges (2024)The Dramatic Festivals of Athens (1954)The moving body : teaching creative theatre (2002)Theatre in Ancient Greek Society (2013)The Sound Effect Of Ancient Greek Theatrical Masks (2014)Moments of identity: dynamics of artist, persona, and audience in electronic music (2021)Minds on Stage (2023)A course in language teaching (1996)Practical English Usage (1998)Psychology for Language Teachers (1999)Language Activities for Teenagers (2004)Global Textbooks in Local Contexts: An Empirical Investigation of Effectiveness (2014)Situated Learning (1991)Qualitative inquiry and research design: choosing among five traditions. (1998)Using thematic analysis in psychology (2006)Novel opportunities for intercultural music education: Integrating singing and a language-aware approach in Learn-Finnish-by-Singing choirs (2022)“Being safe means you can feel uncomfortable”: a case study of female students’ participation in a higher education, online improvisation course (2023)Healthy musical identities and new virtuosities: a humble manifesto for music education research (2024)Development through drama (1967)A Handbook of Structured Experiences for Human Relations Training (1974)Dorothy Heathcote: Drama as a Learning Medium (1976)Self‐consciousness and Assertiveness as Explanatory Variables of L2 Oral Ability: A Latent Variable Approach (2011)Students’ low proficiency in spoken English in private universities in Bangladesh: reasons and remedies (2021)Innovative Strategies for Fostering Student Engagement and Collaborative Learning among Extended Curriculum Programme Students (2023)
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  • 2010The quality of conversations in participatory innovation118 cited
  • 1999Some Fifth-Century Masking Conventions117 cited
  • 1998Learning to Trust and Trusting to Learn105 cited
  • 2001“Yes and...”: Introducing Improvisational Theatre Techniques to the Management Classroom94 cited
  • 2005Drama Techniques80 cited
  • 2001Planning Lessons and Courses69 cited
  • 2015The USC CreativeIT database of multimodal dyadic interactions: from speech and full body motion capture to continuous emotional annotations62 cited
  • 2021Free improvisation in choral settings: An ecological perspective36 cited
  • 2009Narrative Development in Improvisational Theatre26 cited
  • 2001The Masks of Greek Tragedy as Point of Departure for Modern Performance25 cited
  • 2003Toward a Third Space: Improvisation and Professionalism in Social Work25 cited
  • 2013Ethnographic findings in the organizational theatre20 cited
  • 2014Improvised Performance: Nurturing Natural Leadership14 cited
  • 2010Improvisation and Education: Learning Through?14 cited
  • 2016Performing Surgery: Commonalities with Performers Outside Medicine

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13 cited
  • 2018Improvising in the vulnerable encounter: Using improvised participatory theatre in change for healthcare practice12 cited