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Cited by

• 2013Toward a New Organology: Instruments of Music and Science115 cited
• 2022A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception49 cited
• 2013Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism45 cited
• 2023Nothing but Noise: Timbre and Musical Meaning at the Edge22 cited
• 2019The Cambridge Haydn Encyclopedia18 cited
• 2018Haydn’s Impropriety10 cited
• 2017ANTONIO VIVALDI AND THE SUBLIME SEASONS: SONORITY AND TEXTURE AS EXPRESSIVE DEVICES IN EARLY EIGHTEENTH-CENTURY ITALIAN MUSIC8 cited
• 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
• 2017Drastic Allure: Timbre Between the Sublime and the Grain5 cited
• 2020INTRODUCTIONMusical Materialisms (Plural)5 cited
• 20213. Education and Classical Music3 cited
• 2021Classical Music3 cited