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Cited by

• 2001Cultural Trauma413 cited
• 2002The Rise of a Jazz Art World206 cited
• 2020Put to the test: For a new sociology of testing149 cited
• 2000The Etiquette of Improvisation137 cited
• 2011Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933104 cited
• 2018Simpler grammar, larger vocabulary: How population size affects language96 cited
• 2016The Cambridge Companion to Percussion73 cited
• 2006Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation71 cited
• 2011Jammin' an Ending: Creativity, Knowledge, and Conduct among Jazz Musicians63 cited
• 2001A nation of millions: Hip hop culture and the legacy of black nationalism45 cited
• 2007Careers in the right beat: US jazz musicians' typical and non‐typical trajectories33 cited
• 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program32 cited
• 2007Rapping and Repping Asian31 cited
• 2010Swinging within the iron cage: Modernity, creativity, and embodied practice in American postsecondary jazz education30 cited