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The lightning cartoon: Animation from music hall to cinema
6 references·3 citing·28 second hop
The lightning cartoon: Animation from music hall to cinema (2013)The lightning cartoon: Animation from mus…New perspectives on prehistoric art (2004)New perspectives on prehistor…The Victorian Music Hall: Culture, Class and Conflict (1999)The Victorian Music Hall: Cul…The beginnings of the cinema in England, 1894-1901 (1996)The beginnings of the cinema …CONSPIRACIES OF MEANING: MUSIC-HALL AND THE KNOWINGNESS OF POPULAR CULTURE (1994)CONSPIRACIES OF MEANING: MUSI…Before Mickey: The Animated Film 1898-1928 (1984)Before Mickey: The Animated F…American Vitagraph: 1897-1901 (1983)American Vitagraph: 1897-1901Figure and Force in Animation Aesthetics (2019)Figure and Force in Animation…How Animation Won Over the Lightning Sketch: Re-Evaluating Humorous Phases of Funny Faces (2018)How Animation Won Over the Li…‘A machine for recreating life’: an introduction to reproduction on film (2017)‘A machine for recreating lif…Fetal Images: The Power of Visual Culture in the Politics of Reproduction (1987)Hard core: power, pleasure, and "the frenzy of the visible" (1990)The Egg and the Sperm: How Science Has Constructed a Romance Based on Stereotypical Male-Female Roles (1991)Model and movement: studying cell movement in early morphogenesis, 1900 to the present (2018)The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain (2020)Introduction: Reusing Research Film and the Institute for Scientific Film (2021)Meaning in the Visual Arts: Papers in and on Art History (1956)Semiotics: An introductory anthology (1985)Understanding Comics: The Invisible Art (1998)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)The Theory of Economic Development (2003)A Content Analysis of Animation and Animated Spokes-Characters in Television Commercials (1994)STORIES OF THE STORYTELLING ORGANIZATION: A POSTMODERN ANALYSIS OF DISNEY AS "TAMARA-LAND". (1995)Stories of the Storytelling Organization: A Postmodern Analysis of Disney As“Tamara-Land” (1995)Beyond geography's visible worlds: a cultural politics of music (1997)The Cambridge History of American Theatre (1999)The Cambridge History of British Theatre (2004)Classical mythology in the Victorian popular theatre (1999)Pooterism or Partnership? Marriage and Masculine Identity in the Lower Middle Class, 1870–1920 (1999)The Lightning Cartoon: Animation from Music Hall to Cinema (2018)Profit Margins: The American Silent Cinema and the Marginalization of Advertising (2022)The pigments from Pinnacle Point Cave 13B, Western Cape, South Africa (2010)Performance theory: a growing interest in rock art research (2022)Blood symbolism at the root of symbolic culture? African hunter-gatherer perspectives (2024)McKinley at Home: How Early American Cinema Made News (1999)?Local films for local people?: Travelling showmen and the commissioning of local films in Great Britain, 1900-1902 (2001)“Going to the movies”: accounting and twentieth century cinema (2009)
this work references cited by second hop

References

  • 1984Before Mickey: The Animated Film 1898-1928208 cited
  • 1999The Victorian Music Hall: Culture, Class and Conflict172 cited
  • 1994CONSPIRACIES OF MEANING: MUSIC-HALL AND THE KNOWINGNESS OF POPULAR CULTURE102 cited
  • 1996The beginnings of the cinema in England, 1894-190167 cited
  • 1983American Vitagraph: 1897-190124 cited
  • 2004New perspectives on prehistoric art9 cited

Cited by

  • 2017‘A machine for recreating life’: an introduction to reproduction on film15 cited
  • 2019Figure and Force in Animation Aesthetics14 cited
  • 2018How Animation Won Over the Lightning Sketch: Re-Evaluating Humorous Phases of Funny Faces6 cited

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