Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

Brad Osborn

3 citations0/0 files storedPerspectives of New Music

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Music History and Culture Music Technology and Sound Studies

Abstract

Radiohead's music regularly confronts the listener with structural elements—in the domains of pitch/harmony, timbre, form, and rhythm—which exist in a space between pure Top Forty convention and sheer experimentation.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 3 citations exist upstream.

References

1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music 2008The distance geometry of music 2010Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves 2004The Return of the AestheticMusical Formalism and Its Place in Political Critique

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.