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In Praise of Copying
0 references·11 citing·45 second hop
In Praise of Copying (2010)In Praise of CopyingThe Concept of Nature in Early Modern English Literature (2019)The Concept of Nature in Earl…The Art of Copying: Five strategies for Transforming Originals in the Art Museum (2017)The Art of Copying: Five stra…Intellectual Property, Piracy, and Counterfeiting (2016)Intellectual Property, Piracy…Author's rights in the digital age (2016)Author's rights in the digita…Defending the Right Lines of Division: Ritzer's Prosumer Capitalism in the Age of Commercial Customer Surveillance and Big Data (2015)Defending the Right Lines of …We Like Copies, Just Don’t Let the Others Fool You (2014)We Like Copies, Just Don’t Le…Musical Property: Widening or Withering? (2014)Musical Property: Widening or…Mimicry and modernity in the Middle East: fashion invisibility and young women of the Arab Gulf (2014)Mimicry and modernity in the …Creative mass. Consumption, creativity and innovation on Bangkok's fashion markets (2014)Creative mass. Consumption, c…Borrowed Beauties: The National Collection of Artistic Reproductions (2013)Borrowed Beauties: The Nation…Original copies: seriality, similarity and the simulacrum in the Early Bronze Age (2012)Original copies: seriality, s…Los griegos y lo irracional (1999)Winckelmann, inventeur de l'histoire de l'art (2003)The Aesthetics of Emulation in the Visual Arts of Ancient Rome (2005)"…let us take an excursion around the world!" Monumento y copia como práctica curatorial de las Exposiciones Internacionales y sus museos de colecciones, 1854-1929 (2019)Wikinomics: how mass collaboration changes everything (2007)Capital in the Twenty-First Century (2014)The second machine age: work, progress, and prosperity in a time of brilliant technologies (2015)Beyond prosumer capitalism: Retaining the original understanding of prosumption (2017)Investigating the exploitative and empowering potential of the prosumption phenomenon (2017)The ‘dividual’ is semiocapitalist consumer culture (2022)The Invention of Tradition (1986)The Location of Culture (2012)Globalization, national identity, biculturalism and consumer behavior: A longitudinal study of Dutch consumers (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)How does religion discipline the consumer subject? Negotiating the paradoxical tension between consumer desire and the social order (2018)The influence of gender roles in the drivers of luxury consumption for women: Insights from the gulf region (2019)Challenging Codes (1996)Constructions of Neoliberal Reason (2010)Creativity Process in Innovation Oriented Entrepreneurship: The case of Vakko (2015)A critical approach to sustainable fashion: Practices of clothing designers in the Kallio neighborhood of Helsinki (2016)The Discovery of Grounded Theory (2017)Reconceptualising prosumption beyond the ‘cultural turn’: Passive fashion prosumption in Korea and China (2018)Difference and repetition (1994)Simulacra and Simulation (1995)The Work of Art in the Age of Mechanical Reproduction (2007)Problems of Dostoevsky's Poetics (1984)Mimesis and alterity: a particular history of the senses (1993)You are not a gadget: a manifesto (2010)Performers First: Gift Exchange and Digital Access to Live Folk Music Archives (2019)World Music Without Profit (2020)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)Remix: making art and commerce thrive in the hybrid economy (2009)The Wealth of Networks (2017)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Multitude: war and democracy in the age of empire (2005)On Populist Reason (2005)The Interpretation of Cultures (1974)Modernity at Large: Cultural Dimensions of Globalization. (1998)Reassembling the Social (2005)Discipline and Punish: The Birth of the Prison. (1978)We have never been modern (1994)Vibrant Matter (2010)Deluge and disease: plague, the poetry of flooding, and the history of health inequalities in Andrew Marvell’s Hull (2022)Shakespeare Beyond the Green World (2023)The Lithic Imagination from More to Milton (2024)
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Cited by

  • 2014Mimicry and modernity in the Middle East: fashion invisibility and young women of the Arab Gulf61 cited
  • 2019The Concept of Nature in Early Modern English Literature35 cited
  • 2014Creative mass. Consumption, creativity and innovation on Bangkok's fashion markets34 cited
  • 2015Defending the Right Lines of Division: Ritzer's Prosumer Capitalism in the Age of Commercial Customer Surveillance and Big Data31 cited
  • 2012Original copies: seriality, similarity and the simulacrum in the Early Bronze Age11 cited
  • 2016Intellectual Property, Piracy, and Counterfeiting9 cited
  • 2016Author's rights in the digital age8 cited
  • 2014We Like Copies, Just Don’t Let the Others Fool You8 cited
  • 2014Musical Property: Widening or Withering?6 cited
  • 2013Borrowed Beauties: The National Collection of Artistic Reproductions3 cited
  • 2017The Art of Copying: Five strategies for Transforming Originals in the Art Museum3 cited

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