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Musical Form in the Age of Beethoven
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Musical Form in the Age of Beethoven (1997)Musical Form in the Age of BeethovenThe (Co)Evolution of Language and Music Under Human Self-Domestication (2023)The (Co)Evolution of Language…Process and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Process and Pendulum in Schub…Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas (2020)Temporal Disruptions in Debus…Sonata Form and the Problem of Second‐Theme Beginnings (2013)Sonata Form and the Problem o…‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression (2012)‘The Heavens are Telling’: Me…Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)Memesatz contra Ursatz: Memet…Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven (2003)Musical Pleasures and Amorous…Steps to Parnassus: contrapuntal theory in 1725 precursors and successors (2002)Steps to Parnassus: contrapun…Musica practica: music theory as pedagogy (2002)Musica practica: music theory…Classic Music: Expression, Form, and Style (1981)The New Grove dictionary of music and musicians (2001)Elements of Sonata Theory (2006)Beethoven and the Obscured Medial Caesura (2013)In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation (2016)Tonality (2023)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The Logic of Scientific Discovery (1959)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Nothing in Biology Makes Sense except in the Light of Evolution (1973)Exaptation—a Missing Term in the Science of Form (1982)Darwin's dangerous idea: evolution and the meanings of life (1995)Using Galant Schemata as Evidence for Universal Darwinism (2013)A memetic analysis of a phrase by Beethoven: Calvinian perspectives on similarity and lexicon-abstraction (2015)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Romantic Generation (1995)Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Verdi, Opera, Women (2013)The Style of Palestrina and the Dissonance (1946)Le Istitutioni Harmoniche (1967)Reading Renaissance music theory: hearing with the eyes (2001)Fundamentals of Musical Composition (1968)Humanism in Italian Renaissance Musical Thought (1986)Greek Musical Writings (1990)Who needs theory anyway? The relationship between theory and practice of music education in a philosophical outlook (2011)‘It makes you think anything is possible’: Representing diversity in music theory pedagogy (2016)Music Theory Pedagogy in the Nineteenth Century (2022)The Creative Mind: An Introduction to Metaphysics (1946)Introduction to the Sociology of Music. (1977)The Origin of Speech (1960)The origin of speech. (1960)Cross-Cultural Psychology: Research and Applications (1992)Nocturnal selective pressures on the evolution of human musicality as a missing piece of the adaptationist puzzle (2023)Hominin musical sound production: palaeoecological contexts and self domestication (2024)
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Cited by

  • 2013Sonata Form and the Problem of Second‐Theme Beginnings38 cited
  • 2002Musica practica: music theory as pedagogy21 cited
  • 2003Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven19 cited
  • 2023The (Co)Evolution of Language and Music Under Human Self-Domestication19 cited
  • 2010Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure13 cited
  • 2002Steps to Parnassus: contrapuntal theory in 1725 precursors and successors9 cited
  • 2012‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression3 cited
  • 2020Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas3 cited
  • 2021Process and Pendulum in Schubert's Expanded Type 1 Sonatas3 cited

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