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:The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts

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Renaissance Literature and Culture Shakespeare, Adaptation, and Literary Criticism Literature: history, themes, analysis

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Contents: List of Illustrations Acknowledgments Introduction 1 Violence, Subjectivity, and Paradoxes of Pleasure 2 To Speak of Love in the Language of Petrarchanism 3 Foxe and the Touissance of Martyrology 4 The Pornographic Economy of Titus Andronicus 5 Form, Characters, Viewers, and Ford's The Broken Heart Conclusion Notes Bibliography Index

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2009Protestantism and Drama in Early Modern England 2016Desiring History and Historicizing Desire 2002"Irreligious Piety" and Christian History: Persecution as Pagan Anachronism in Titus Andronicus 2014The Restoration of the Jews: Early Modern Hermeneutics, Eschatology, and National Identity in the Works of Thomas Brightman 2007Unbuilding the City: Coriolanus and the Birth of Republican Rome 2011Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama 2008Time for Marlowe 2007Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy

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