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:The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts
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  • 2009Protestantism and Drama in Early Modern England95 cited
  • 2016Desiring History and Historicizing Desire63 cited
  • 2002"Irreligious Piety" and Christian History: Persecution as Pagan Anachronism in Titus Andronicus36 cited
  • 2014The Restoration of the Jews: Early Modern Hermeneutics, Eschatology, and National Identity in the Works of Thomas Brightman34 cited
  • 2007Unbuilding the City: Coriolanus and the Birth of Republican Rome33 cited
  • 2011Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama25 cited
  • 2008Time for Marlowe19 cited
  • 2007Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy17 cited
  • 2010Lavinia as Coauthor of Shakespeare's Titus Andronicus16 cited
  • 2009“Turning Turk,” Early Modern English Orientalism, and Shakespeare’s Othello15 cited
  • 2002Psychoanalyzing the Prepsychoanalytic Subject15 cited
  • 2010The Social Masochism of Shakespeare's Sonnets14 cited
  • 2009Desire and dramatic form in early modern England14 cited
  • 2009Disorderly Love: Sodomy Revisited in Marlowe’s Edward II12 cited
  • 2005

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"Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater
8 cited
  • 2008Erasmus, Contarini, and the Religious Republic of Letters7 cited