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Assessing the Condition of Complex Poly-Material Artworks by Py-GC-MS: The Study of Cellulose Acetate-Based Animation Cels
7 references·0 citing·31 second hop
Assessing the Condition of Complex Poly-Material Artworks by Py-GC-MS: The Study of Cellulose Acetate-Based Animation Cels (2022)Assessing the Condition of Complex Poly-M…AMDIS & EXCEL: A Powerful Combination for Evaluating THM-Py-GC/MS Results from European Lacquers (2019)AMDIS & EXCEL: A Powerful Com…Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques (2018)Elucidating the composition a…Characterization of Chemical and Physical Properties of Animation Cels from the Walt Disney Animation Research Library (2014)Characterization of Chemical …Assessment of the composition and condition of animation cels made from cellulose acetate (2014)Assessment of the composition…The application of pyrolysis gas chromatography mass spectrometry for the identification of degraded early plastics in a sculpture by Naum Gabo (2011)The application of pyrolysis …Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry (2002)Identification of non-cross-l…Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Mass spectrometric methodolog…IPI Storage Guide for Acetate Film (1994)Application of Chemical and Thermal Analysis Methods for Studying Cellulose Ester Plastics (2010)Investigation of the degradation of cellulose acetate museum artefacts (2012)A new miniaturised short-wave infrared (SWIR) spectrometer for on-site cultural heritage investigations (2020)Characterising plasticised cellulose acetate-based historic artefacts by NMR spectroscopy: A new approach for quantifying the degree of substitution and diethyl phthalate contents (2020)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Long‐term behavior of oil‐based varnishes and paints I. Spectroscopic analysis of curing drying oils (1999)Py‐GC/MS of Organic Paint Binders (2009)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques (2016)A Betrayal of Material: Problems of Conservation in the Constructivist Sculpture of Naum Gabo and Antoine Pevsner (1988)Selection of thermal, spectroscopic, spectrometric, and chromatographic methods for characterizing historical celluloid (2021)What Fate for Plastics in Artworks? An Overview of Their Identification and Degradative Behaviour (2021)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)The Organic Chemistry of Museum Objects (1988)Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt) (2004)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Data Fusion Approach to Simultaneously Evaluate the Degradation Process Caused by Ozone and Humidity on Modern Paint Materials (2022)A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca (2023)Shedding Light on Degradation Gradients in Celluloid: An ATR-FTIR Study of Artificially and Naturally Aged Specimens (2023)Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings (1998)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Fading into the background: the dark space surrounding Vermeer’s Girl with a Pearl Earring (2019)Accelerated Ageing Procedures to Assess the Stability of an Unconventional Acrylic-Wax Polymeric Emulsion for Contemporary Art (2020)How Can Ozone and Relative Humidity Affect Artists’ Alkyd Paints? A FT-IR and Py-GC/MS Systematic Study (2022)Transparent Figures: Researching and Preserving Objects of Cellulose Acetate (2023)
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References

  • 2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
  • 2002Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry70 cited
  • 2014Assessment of the composition and condition of animation cels made from cellulose acetate38 cited
  • 2011The application of pyrolysis gas chromatography mass spectrometry for the identification of degraded early plastics in a sculpture by Naum Gabo33 cited
  • 2019AMDIS & EXCEL: A Powerful Combination for Evaluating THM-Py-GC/MS Results from European Lacquers33 cited
  • 2018Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques23 cited
  • 2014Characterization of Chemical and Physical Properties of Animation Cels from the Walt Disney Animation Research Library9 cited

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