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Offenbach Performance in Budapest, 1920–1956
16 references·2 citing·30 second hop
Offenbach Performance in Budapest, 1920–1956 (2022)Offenbach Performance in Budapest, 1920–1…“Why Aren't They Talking?” (2022)“Why Aren't They Talking?”The Empire at the Opéra (2021)The Empire at the OpéraA Huge Revolution of Theatrical Commerce (2020)A Huge Revolution of Theatric…The Cambridge Companion to Operetta (2019)The Cambridge Companion to Op…Musical Salon Culture in the Long Nineteenth Century (2019)Musical Salon Culture in the …Jacques Offenbach and the Making of Modern Culture (2017)Jacques Offenbach and the Mak…Future History: Wagner, Offenbach, and "la musique de l'avenir" in Paris, 1860 (2014)Future History: Wagner, Offen…The Invention of Beethoven and Rossini (2013)The Invention of Beethoven an…Music, Theater, and Cultural Transfer: Paris, 1830–1914 Music, Theater, and Cultural Transfer: Paris, 1830–1914 . Edited by A nnegret F auser and M ark E verist . Chicago: University of Chicago Press, 2009. x + 440 pp., ill. (2013)Music, Theater, and Cultural …Roman Republican Theatre (2011)Roman Republican TheatreChanging the Score (2009)Changing the ScoreRossini in Restoration Paris: The Sound of Modern Life (2007)Rossini in Restoration Paris:…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Memorable Doings and Sayings (2000)Memorable Doings and SayingsNineteenth-century music (1989)Nineteenth-century musicOperetta: A Theatrical History (1985)Operetta: A Theatrical HistoryThe Rebirth of Satire in Revivals of European Operettas (2025)The Rebirth of Satire in Revi…West Side Story in Spain (2022)West Side Story in SpainWerke Kritische Gesamtausgabe (1967)Carmen Abroad (2020)Carmenin the Midi Amphitheatres: A ‘Tauro-Comique’ Spectacle (2020)The Return of theHabanera:Carmen’sEarly Reception in Latin America (2020)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900–1920 (2001)Musical theater and American culture (2004)The origins of the entertainment industry: the operetta in late nineteenth-century Italy (2006)Schumann's a-Minor Mood (2016)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Writing about Popular Music (2019)‘Too much music’: the media of opera (2012)The Cambridge Companion to Opera Studies (2012)The operatic event: opera houses and opera audiences (2012)The Dahlhaus Project and Its Extra-Musicological Sources (1991)A. B. Marx, Berlin Concert Life, and German National Identity (1994)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Pourquoi la critique génétique ? (1998)Carmen, Communarde Bizet, ‘Habanera’ (Carmen),Carmen, Act I (2016)Cherubini and the Revolutionary Sublime (2012)Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography (2013)The Cambridge Companion to French Music (2015)The Greek Tradition in Republican Thought (2004)The evolution of hospitals from antiquity to the Renaissance (2010)Jesus and Other Men (2018)The Cambridge Companion to Ancient Rome (2013)What difference did Christianity make? (2013)Migration, Mobility and Place in Ancient Italy (2017)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1989Nineteenth-century music628 cited
  • 2011Roman Republican Theatre412 cited
  • 2000Memorable Doings and Sayings165 cited
  • 1985Operetta: A Theatrical History141 cited
  • 2007Rossini in Restoration Paris: The Sound of Modern Life91 cited
  • 2009Changing the Score71 cited
  • 2013The Invention of Beethoven and Rossini64 cited
  • 2013Music, Theater, and Cultural Transfer: Paris, 1830–1914 Music, Theater, and Cultural Transfer: Paris, 1830–1914 . Edited by A nnegret F auser and M ark E verist . Chicago: University of Chicago Press, 2009. x + 440 pp., ill.60 cited
  • 2017Jacques Offenbach and the Making of Modern Culture58 cited
  • 2019The Cambridge Companion to Operetta44 cited
  • 2019Musical Salon Culture in the Long Nineteenth Century29 cited
  • 2014Future History: Wagner, Offenbach, and "la musique de l'avenir" in Paris, 186020 cited
  • 2020A Huge Revolution of Theatrical Commerce14 cited
  • 2021The Empire at the Opéra12 cited
  • 2022“Why Aren't They Talking?”9 cited

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Cited by

  • 2022West Side Story in Spain7 cited
  • 2025The Rebirth of Satire in Revivals of European Operettas3 cited