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On Material Indeterminacy
14 references·1 citing·34 second hop
On Material Indeterminacy (2022)On Material IndeterminacyFrom Description to Correspondence: Anthropology in Real Time (2020)From Description to Correspon…Music as Creative Practice (2018)Music as Creative PracticeStaying with the Trouble (2016)Staying with the TroubleOxford Handbook of Critical Improvisation Studies (2016)Oxford Handbook of Critical I…What a Body Can Do (2015)What a Body Can DoThe Oxford Handbook of Critical Improvisation Studies, Volume 2 (2013)The Oxford Handbook of Critic…Music and Its Social Meanings (2013)Music and Its Social MeaningsDeleuzian Intersections. Science, Technology, Anthropology (2011)Deleuzian Intersections. Scie…Being Alive (2011)Being AliveThe Ashgate research companion to experimental music (2010)The Ashgate research companio…Improvisation and the Unnameable: On Being Instrumental (2009)Improvisation and the Unnamea…A Prescription for Action (2009)A Prescription for ActionHuman-Machine Reconfigurations: Plans and Situated Actions (2006)Human-Machine Reconfiguration…The Mangle of Practice (1995)The Mangle of PracticeEmpirical Approaches to the Performance Analysis of New Music (2024)Empirical Approaches to the P…Critical anthropological thought and the radical political imaginary today (2012)Différence et répétition (2013)Potential Energy and the Body Electric (2013)The anthropology of ontology (religious science?) (2013)How To Do Things With Words (1975)Sociomaterial Practices: Exploring Technology at Work (2007)The Location of Culture (2012)Theory Construction in Qualitative Research (2012)The Interpretation of Cultures (2017)The professional stranger (1980)Design and Anthropology (2016)Design anthropological approaches in collaborative museum curation (2021)Speculative accountability for animal kinship (2021)Language and Agency (2001)10 Sociomateriality: Challenging the Separation of Technology, Work and Organization (2008)When Flexible Routines Meet Flexible Technologies: Affordance, Constraint, and the Imbrication of Human and Material Agencies1 (2011)Music, health, and well-being: A review (2013)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Mapping visions of improvisation pedagogy in music education research (2019)Dimensions of Musical Creativity (2020)Expanding Professionalism in Music and Higher Music Education (2021)Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education (2021)Posthumanism as research methodology: inquiry in the Anthropocene (2017)The Capitalocene Part II: accumulation by appropriation and the centrality of unpaid work/energy (2017)Cities: Reimagining the Urban (2020)Toward an Ecology of Materials (2010)That’s enough about ethnography! (2014)Degrowth, postdevelopment, and transitions: a preliminary conversation (2015)Defining Pantomime for Language Evolution Research (2016)A Laughing matter? Confronting climate change through humor (2018)Relational Encounters and Vital Materiality in the Practice of Craft Work (2019)Technology and Music Performance in the Age of Mechanical Reproduction (1989)The Consumption of Music and the Expression of VALUES (1999)National Pride in the Developed World: Survey Data from 24 Nations (2002)
this work references cited by second hop

References

  • 2016Staying with the Trouble5,108 cited
  • 2011Being Alive2,883 cited
  • 1995The Mangle of Practice2,743 cited
  • 2006Human-Machine Reconfigurations: Plans and Situated Actions2,256 cited
  • 2016Oxford Handbook of Critical Improvisation Studies223 cited
  • 2015What a Body Can Do193 cited
  • 2018Music as Creative Practice173 cited
  • 2011Deleuzian Intersections. Science, Technology, Anthropology137 cited
  • 2020From Description to Correspondence: Anthropology in Real Time93 cited
  • 2013Music and Its Social Meanings91 cited
  • 2010The Ashgate research companion to experimental music62 cited
  • 2009Improvisation and the Unnameable: On Being Instrumental29 cited
  • 2009A Prescription for Action24 cited
  • 2013The Oxford Handbook of Critical Improvisation Studies, Volume 223 cited

Cited by

  • 2024Empirical Approaches to the Performance Analysis of New Music2 cited

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