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The Art and Craftivism of Exhibiting Species and Habitat Loss in Natural History Museums
16 references·2 citing·36 second hop
The Art and Craftivism of Exhibiting Species and Habitat Loss in Natural History Museums (2022)The Art and Craftivism of Exhibiting Spec…Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936 (2019)Teddy Bear Patriarchy: Taxide…Craftivism and Yarn Bombing: A Criminological Exploration (2019)Craftivism and Yarn Bombing: …Bad environmentalism: irony and irreverence in the ecological age (2019)Bad environmentalism: irony a…The Future of Natural History Museums (2017)The Future of Natural History…Imagining Extinction: The Cultural Meanings of Endangered Species (2017)Imagining Extinction: The Cul…Fray: Art and Textile Politics (2017)Fray: Art and Textile PoliticsCurating the future. Museums, communities and climate change (2017)Curating the future. Museums,…Flexible Interventions to Increase Family Engagement at Natural History Museum Dioramas (2016)Flexible Interventions to Inc…Ecofeminism: Feminist Intersections with Other Animals and the Earth (2014)Ecofeminism: Feminist Interse…Climate Change and Museum Futures (2014)Climate Change and Museum Fut…Art and artifact: the museum as medium (2010)Art and artifact: the museum …Knit one, stitch two, protest three! Examining the historical and contemporary politics of crafting (2008)Knit one, stitch two, protest…Constructing nature behind the glass (2008)Constructing nature behind th…Nonhuman Charisma (2007)Nonhuman CharismaHabitat dioramas as ecological theatre (1993)Habitat dioramas as ecologica…Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936 (1984)Teddy Bear Patriarchy: Taxide…Translating environmental memory in a natural history museum (2024)Translating environmental mem…Museum-audience interaction within permanent exhibitions of natural history museums: a systematic literature review (2024)Museum-audience interaction w…Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)Materials against materiality (2007)‘The artist’s piece is already in the stone’: Constructing creativity in paleontology laboratories (2014)The Art of Anthropology: Questioning Contemporary Art in Ethnographic Display (2015)Greening cultural policy (2017)Irony (2004)Affect, Emotion, and Ecocriticism (2020)Climate Lyricism (2021)The Perception Machine (2023)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Perception of the Environment (2002)Diabolic Caminos in the Desert and Cat Fights on the Río: A Posthumanist Political Ecology of Boundary Enforcement in the United States–Mexico Borderlands (2010)Animal geographies I (2013)The twenty most charismatic species (2018)Bletchley Park Text: Using mobile and semantic web technologies to support the post-visit use of online museum resources (2005)Introduction: Experiments in Exhibition, Ethnography, Art, and Science (2007)Exhibiting Cinema in Contemporary Art (2013)“Indian Blood”: Reflections on the Reckoning and Refiguring of Native North American Identity (1996)Trying to Be Cosmopolitan (1999)The Birth of a Jungle (2013)Human Minds and Animal Stories (2019)Wonder, Empire, Science: The Quagga and Other Extinctions on Display at Naturalis (2022)Inviting a decolonial praxis for future imaginaries of nature: Introducing the Entangled Time Tree (2023)Intersectionality and the Changing Face of Ecofeminism (2017)Composting Feminisms and Environmental Humanities (2018)BETWEEN AN ETHIC OF CARE AND AN ETHIC OF AUTONOMY (2019)Mapping Common Ground: Ecocriticism, Environmental History, and the Environmental Humanities (2014)Environmental humanities and climate change: understanding humans geologically and other life forms ethically (2017)Patchy Anthropocene: Landscape Structure, Multispecies History, and the Retooling of Anthropology (2019)Visual climate change art 2005–2015: discourse and practice (2016)Artful climate change communication: overcoming abstractions, insensibilities, and distances (2017)Museums and Local Development: An Introduction to Museums, Sustainability and Well-being (2019)Collecting Nature: Practices, Styles, and Narratives (2012)Biological Relatives - IVF, Stem Cells and the Future of Kinship (2013)Behind the screen: content moderation in the shadows of social media (2020)
this work references cited by second hop

References

  • 2007Nonhuman Charisma754 cited
  • 1984Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936442 cited
  • 2019Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936312 cited
  • 2014Ecofeminism: Feminist Intersections with Other Animals and the Earth158 cited
  • 2010Art and artifact: the museum as medium101 cited
  • 2014Climate Change and Museum Futures80 cited
  • 2017Imagining Extinction: The Cultural Meanings of Endangered Species61 cited
  • 2019Bad environmentalism: irony and irreverence in the ecological age58 cited
  • 2017Curating the future. Museums, communities and climate change54 cited
  • 2008Constructing nature behind the glass47 cited
  • 2017Fray: Art and Textile Politics46 cited
  • 2017The Future of Natural History Museums42 cited
  • 1993Habitat dioramas as ecological theatre22 cited
  • 2008Knit one, stitch two, protest three! Examining the historical and contemporary politics of crafting20 cited
  • 2016Flexible Interventions to Increase Family Engagement at Natural History Museum Dioramas18 cited
  • 2019

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Craftivism and Yarn Bombing: A Criminological Exploration
8 cited

Cited by

  • 2024Museum-audience interaction within permanent exhibitions of natural history museums: a systematic literature review2 cited
  • 2024Translating environmental memory in a natural history museum1 cited