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The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period
4 references·1 citing·13 second hop
The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period (2022)The voices of children in Notre-Dame de P…Sound and space in Renaissance Venice: architecture, music, acoustics (2010)Sound and space in Renaissanc…Medieval music and the art of memory (2005)Medieval music and the art of…Les pueri chori de Notre-Dame de Reims. Contribution à l'histoire des clergeons au Moyen Age (1991)Les pueri chori de Notre-Dame…Music and ceremony at Notre Dame of Paris, 500-1550 (1990)Music and ceremony at Notre D…The position of Gothic organs in Notre-Dame de Paris: An archeoacoustic simulation study (2025)The position of Gothic organs…The organ cases and organs of the middle ages and renaissance (1883)La musique d'orgue au XVe siecle et au debut du XVIe (1930)Littérature de civilité et « processus de civilisation » à la fin du XIIe siècle : le cas anglais d'après l'Urbanus magnus (2001)The Clergy in the Medieval World (2015)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Cambridge History of the Book in Britain (2008)Soundscapes: Toward a Sounded Anthropology (2010)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Polyphony in medieval Paris the art of composing with plainchant (2018)Polyphony in Medieval Paris (2018)Intangible cultural heritage: The sound of the Romanesque cathedral of Santiago de Compostela (2014)Inventing the Opera House (2018)Stereophonica (2021)
this work references cited by second hop

References

  • 1990Music and ceremony at Notre Dame of Paris, 500-1550210 cited
  • 2010Sound and space in Renaissance Venice: architecture, music, acoustics94 cited
  • 2005Medieval music and the art of memory85 cited
  • 1991Les pueri chori de Notre-Dame de Reims. Contribution à l'histoire des clergeons au Moyen Age20 cited

Cited by

  • 2025The position of Gothic organs in Notre-Dame de Paris: An archeoacoustic simulation study4 cited

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