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The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China
16 references·0 citing·31 second hop
The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China (2022)The cinema of make-believe: Rural viewers…Cinema off screen: moviegoing in socialist China (2022)Cinema off screen: moviegoing…Revolutionary Cycles in Chinese Cinema, 1951–1979 (2014)Revolutionary Cycles in Chine…The Political Campaign as Genre: Ideology and Iconography during the Seventeen Years Period (2008)The Political Campaign as Gen…The Cinema of Attractions Reloaded (2006)The Cinema of Attractions Rel…The Cinema of Attractions as Dispositif (2006)The Cinema of Attractions as …Nature exposed : photography as eyewitness in Victorian science (2006)Nature exposed : photography …Lumiere's Arrival of the Train: Cinema's Founding Myth (2004)Lumiere's Arrival of the Trai…Chinese National Cinema (2004)Chinese National CinemaCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The Panicking Audience?: Early cinema and the 'train effect' (1999)The Panicking Audience?: Earl…The Sublime Figure of History (1997)The Sublime Figure of HistoryMimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Mimesis as Make-Believe: On t…Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Mimesis as Make-Believe: On t…Chinese cinema: culture and politics since 1949 (1989)Chinese cinema: culture and p…Ideological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…THEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)Fiction Film and the Varieties of Empathic Engagement (2010)Géographie et cinéma : modes d'emploi (2014)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Screen Space Reconfigured (2020)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)If software is narrative: Joseph Weizenbaum, artificial intelligence and the biographies of ELIZA (2018)Deceitful Media (2021)Moving image theory: ecological considerations (2005)New Vocabularies in Film Semiotics (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)John Evans, Joseph Prestwich and the stone that shattered the time barrier (2009)The Prophetic Faculty of Epidemic Photography: Chinese Wet Markets and the Imagination of the Next Pandemic (2016)Parliament the Mirror of the Nation (2019)Simulating Minds (2006)The pragmatics of verbal irony: Echo or pretence? (2006)Imagined futures: fictional expectations in the economy (2013)Mindreading (2003)An agent-based conception of models and scientific representation (2009)Screening Disability in the PRC (2007)Shakespeare and World Cinema (2012)Disability in Contemporary China (2020)Chinese literature from 1841 to 1937 (2010)CUTENESS AS A SUBTLE STRATEGY (2013)The Great Exodus from China (2020)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1991Mimesis as Make-Believe: On the Foundations of the Representational Arts970 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 1991Mimesis as Make-Believe: On the Foundations of the Representational Arts605 cited
  • 2006The Cinema of Attractions Reloaded454 cited
  • 2004Chinese National Cinema295 cited
  • 1997The Sublime Figure of History218 cited
  • 1999The Panicking Audience?: Early cinema and the 'train effect'189 cited
  • 2006Nature exposed : photography as eyewitness in Victorian science180 cited
  • 2004Lumiere's Arrival of the Train: Cinema's Founding Myth133 cited
  • 1989Chinese cinema: culture and politics since 1949125 cited
  • 2014Revolutionary Cycles in Chinese Cinema, 1951–197962 cited
  • 2006The Cinema of Attractions as Dispositif56 cited
  • 2022Cinema off screen: moviegoing in socialist China30 cited
  • 2008The Political Campaign as Genre: Ideology and Iconography during the Seventeen Years Period

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