SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Identification of polysaccharide binding materials used in cultural relics by pyrolysis-gas chromatography/mass spectrometry
7 references·1 citing·35 second hop
Identification of polysaccharide binding materials used in cultural relics by pyrolysis-gas chromatography/mass spectrometry (2022)Identification of polysaccharide binding …New insights on plasters, pigments and binder in mural paintings of the Setka tomb (QH 110), Elephantine, Aswan, Upper Egypt (2021)New insights on plasters, pig…Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Beyond the basics: A systemat…Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)Comparative analysis of easte…Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Proteomic identification of o…Characterization of Chinese Lacquer in Historical Artwork by On-Line Methylation Pyrolysis-Gas Chromatography/Mass Spectrometry (2014)Characterization of Chinese L…Characterization of Commercial Synthetic Resins by Pyrolysis-Gas Chromatography/Mass Spectrometry: Application to Modern Art and Conservation (2009)Characterization of Commercia…Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media (2008)Gas chromatography–mass spect…Multi-Method Analysis of Painting Materials in Murals of the North Mosque (Linqing, China) (2023)Multi-Method Analysis of Pain…The Organic Chemistry of Museum Objects (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Organic Chemistry of Museum Objects (2012)Investigation of gilding materials and techniques in wall paintings of Kizil Grottoes (2019)Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application (2021)Infrared Spectroscopy in Conservation Science (2000)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Organic Mass Spectrometry in Art and Archaeology (2009)Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry (2017)Preservation of the metaproteome: variability of protein preservation in ancient dental calculus (2017)Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage (2018)Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)Gas chromatographic–mass spectrometric characterisation of plant gums in samples from painted works of art (2007)The Development of a New Analytical Model for the Identification of Saccharide Binders in Paint Samples (2012)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)Chemical composition of felt-tip pen inks (2017)The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)Characterization of Artists' Acrylic Emulsion Paints (2003)Time resolved laser induced fluorescence for characterization of binders in contemporary artworks (2016)Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures (2004)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Investigation of Asian lacquer films using ToF‐SIMS and complementary analytical techniques (2016)Characterization and identification of lacquer films from the Qin and Han dynasties (2019)Characterization and evaluation of UV-irradiation aging of urushi by micro-UV/Py-GC/MS system (2023)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C. (2000)Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science (2018)Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand (2019)A review of solvent action on oil paint (2020)Ancient Egyptian Materials and Industries (1948)Pigment Compendium: A Dictionary of Historical Pigments (2007)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)
this work references cited by second hop

References

  • 2016Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers127 cited
  • 2015Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments59 cited
  • 2014Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings58 cited
  • 2008Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media54 cited
  • 2009Characterization of Commercial Synthetic Resins by Pyrolysis-Gas Chromatography/Mass Spectrometry: Application to Modern Art and Conservation53 cited
  • 2014Characterization of Chinese Lacquer in Historical Artwork by On-Line Methylation Pyrolysis-Gas Chromatography/Mass Spectrometry15 cited
  • 2021New insights on plasters, pigments and binder in mural paintings of the Setka tomb (QH 110), Elephantine, Aswan, Upper Egypt9 cited

Cited by

  • 2023Multi-Method Analysis of Painting Materials in Murals of the North Mosque (Linqing, China)8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work