References

• 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
• 2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications363 cited
• 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
• 2003The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint120 cited
• 2016Effect of particle size on pigments colour116 cited
• 2016Lead soaps in paintings: Friends or foes?114 cited
• 2006Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums101 cited
• 2006Quantitative characterisation of pigment mixtures used in art by fibre-optics diffuse-reflectance spectroscopy57 cited
• 2005A New Multispectral Imaging System for Examining Paintings57 cited
• 2005Fiber optic reflectance spectroscopy and hyper-spectral image spectroscopy: two integrated techniques for the study of the Madonna dei Fusi41 cited
• 2008An investigation of multispectral imaging for the mapping of pigments in paintings40 cited
• 2017Digitally reconstructing Van Gogh'sField with Irises near Arles.Part 2: Pigment concentration maps30 cited
• 2018Effect of tempera paint composition on their superficial physical properties- application of interferometric profilometry and hyperspectral imaging techniques21 cited