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Fan Conflicts and State Power in China: Internalised Heteronormativity, Censorship Sensibilities, and Fandom Police
16 references·7 citing·29 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2002The Forms of Capital13,914 cited
  • 1951Homo Ludens: A Study of the Play-Element in Culture.6,561 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2018Empowered992 cited
  • 1994Adoring Audience: Fan Culture and Popular Media925 cited
  • 2003Fan Cultures869 cited
  • 2002Understanding Bourdieu649 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 2013Understanding Fandom391 cited
  • 2020An emergent algorithmic culture: The data-ization of online fandom in China136 cited
  • 2020A queer “socialist brotherhood”: the Guardian web series, boys’ love fandom, and the Chinese state85 cited
  • 2014Fuck yeah, Fandom is Beautiful79 cited
  • 2009Should Fan Fiction Be Free?74 cited
  • 2012Girls who love boys' love: Japanese homoerotic manga as trans-national Taiwan culture70 cited

Cited by

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  • 2022Brand Nohomonationalism: Guofeng (‘National Style’) Framings of Boys’ Love Television Series in China22 cited
  • 2024A state against boys’ love? Reviewing the trajectory of censorship over danmei17 cited
  • 2023Reader influence on the creation of transmedia science fiction: a participatory culture perspective10 cited
  • 2023Co-Constructing a Gender–State Entanglement in Canonical Three Kingdoms Fandom: A Discourse-Historical Approach10 cited
  • 2023Beyond a queer utopia: interrogating misogyny in transnational boys love media10 cited
  • 2024Mainstreams, Mavericks, Misfits, and Amphibians: On the Mainstreaming, Platformisation, and Re-conventionalisation of the Former Home of Chinese ACGN7 cited
  • 2024Fans speak for whom? Imagined ‘official’, internalised hegemony and self-censorship7 cited