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K-Pop’s Global Success and Its Innovative Production System
16 references·3 citing·50 second hop
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References

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  • 2004The Production of Culture Perspective705 cited
  • 2002Embedded Case Study Methods603 cited
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  • 2002Newly Vulnerable Markets in an Age of Pure Information Products: An Analysis of Online Music and Online News361 cited
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  • 2011When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization327 cited
  • 2000Cultural Industries Revisited278 cited
  • 1987On national identity: some conceptions and misconceptions criticized171 cited
  • 2002MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES157 cited
  • 1998The British Dance Music Industry: A Case Study of Independent Cultural Production156 cited
  • 2004Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990150 cited
  • 2014The social mediascape of transnational Korean pop culture: Hallyu 2.0 as spreadable media practice138 cited
  • 2012What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity

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138 cited
  • 2002Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica138 cited
  • 2020East Asian pop music idol production and the emergence of data fandom in China132 cited
  • Cited by

    • 2024The K-pop industry: competitiveness and sustainability8 cited
    • 2023How to use bits for beats: the future strategies of music companies for using Industry 4.0 technologies in their value chain7 cited
    • 2022Sustainability|Special Issue: Cultural Industries and Sustainable Development4 cited