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Engaging With Objects and Feelings: The Making of Live Music Space in Shanghai’s Livehouses
16 references·0 citing·41 second hop
Engaging With Objects and Feelings: The Making of Live Music Space in Shanghai’s Livehouses (2022)Engaging With Objects and Feelings: The M…East Asian pop music idol production and the emergence of data fandom in China (2020)East Asian pop music idol pro…The social and cultural values of live music: Sustaining urban live music ecologies (2019)The social and cultural value…Authenticity in Culture, Self, and Society (2016)Authenticity in Culture, Self…Vibrant Matter (2010)Vibrant MatterThe economy of live music in the digital age (2010)The economy of live music in …Mashed Up: Music, Technology, and the Rise of Configurable Culture (2010)Mashed Up: Music, Technology,…Towards a critical understanding of music, emotion and self‐identity (2008)Towards a critical understand…Music Scenes: Local, Translocal, and Virtual. (2006)Music Scenes: Local, Transloc…“How Edge Are You?” Constructing Authentic Identities and Subcultural Boundaries in a Straightedge Internet Forum (2005)“How Edge Are You?” Construct…URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE (2004)URBAN REDEVELOPMENT, LIVE MUS…Urban Nightscapes (2003)Urban NightscapesTheorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)Theorising Urban Playscapes: …Sounding out the City: Music and the Sensuous Production of Place (1995)Sounding out the City: Music …Ethnography and popular music studies (1993)Ethnography and popular music…Rock Culture in Liverpool: Popular Music in the Making. (1992)Rock Culture in Liverpool: Po…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…The Past is a Foreign Country (1986)Carnivals for elites? The cultural politics of arts festivals (1998)The New Grove dictionary of music and musicians (2001)Hotel Babylon? Exploring hotels as liminal sites of transition and transgression (2005)Regions and place: music, identity and place (2006)Writing Culture (1986)The Predicament of Culture (1988)Researching youth culture and popular music: a methodological critique (2002)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Meaning not measurement (2010)The Interpretation of Cultures (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)The Condition of Postmodernity (1991)The image of the creative city: Some reflections on urban branding in Turin (2008)Contemporary Public Space: Critique and Classification, Part One: Critique (2010)Neo-liberal urban planning policies: A literature survey 1990–2010 (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)The Presentation of Self in Everyday Life. (1956)The Managed Heart: Commercialization of Human Feeling (1984)I -Pistemology: Changing truth claims in popular and political culture (2012)Driving it Home: How Workplace Emotional Labor Harms Employee Home Life (2013)Putting Identification in Motion: A Dynamic View of Organizational Identification (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Production of Culture Perspective (2004)From exclusive to inclusive elitists and further: Twenty years of omnivorousness and cultural diversity in arts participation in the USA (2005)Youth‐Subcultural Studies: Sociological Traditions and Core Concepts (2007)You should have been there, man: Live music, DIY content and online communities (2011)The Cambridge Companion to Hip-Hop (2015)Vaporwave, or music optimised for abandoned malls (2017)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)‘Insider Research’ in the Study of Youth Cultures (2005)Effects of group singing and performance for marginalized and middle-class singers (2005)Music Scenes: Local, Translocal, and Virtual (2011)Toward an Ecology of Materials (2010)Wet Ontologies, Fluid Spaces: Giving Depth to Volume through Oceanic Thinking (2015)A Theoretical Framework for the Critical Posthumanities (2018)Displaced Masculinities: Chavs, Youth and Class in the Post-industrial City (2006)Notes towards autonomous geographies: creation, resistance and self-management as survival tactics (2006)Studentification and ‘Apprentice’ Gentrifiers within Britain's Provincial Towns and Cities: Extending the Meaning of Gentrification (2007)
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References

  • 2010Vibrant Matter7,118 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2016Authenticity in Culture, Self, and Society519 cited
  • 2003Urban Nightscapes409 cited
  • 2002Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces398 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 2006Music Scenes: Local, Translocal, and Virtual.287 cited
  • 1993Ethnography and popular music studies226 cited
  • 1995Sounding out the City: Music and the Sensuous Production of Place215 cited
  • 2010Mashed Up: Music, Technology, and the Rise of Configurable Culture210 cited
  • 2008Towards a critical understanding of music, emotion and self‐identity173 cited
  • 2010The economy of live music in the digital age167 cited
  • 2005“How Edge Are You?” Constructing Authentic Identities and Subcultural Boundaries in a Straightedge Internet Forum157 cited
  • 2020East Asian pop music idol production and the emergence of data fandom in China132 cited
  • 2019The social and cultural values of live music: Sustaining urban live music ecologies112 cited

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  • 2004URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE85 cited
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