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The Boundaries of Genre: Dostoevsky's Diary of a Writer and the Traditions of Literary Utopia
0 references·14 citing·39 second hop
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  • 2010Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives242 cited
  • 2019BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film96 cited
  • 1995Russian Formalism54 cited
  • 1992The Cambridge History of Russian Literature52 cited
  • 2004Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity37 cited
  • 1995Reception theory: School of Constance33 cited
  • 1992The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne33 cited
  • 1995Narratology19 cited
  • 2018“People of Allada, This Is Our Return”: Indexicality, Multiple Temporalities, and Resonance in the Music of the Gangbé Brass Band of Benin16 cited
  • 1995Other reader-oriented theories16 cited
  • 1995Deconstruction13 cited
  • 2011Keys to The Gift7 cited
  • 1992The Language of the Canek Manuscript5 cited
  • 2005Wasif Jawhariyyeh, Popular Music, and Early Modernity in Jerusalem2 cited

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