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Bach, Handel and Scarlatti
16 references·1 citing·27 second hop
Bach, Handel and Scarlatti (2022)Bach, Handel and ScarlattiEurope, Empire, and Spectacle in Nineteenth-Century British Music (2017)Europe, Empire, and Spectacle…A General History of the Science and Practice of Music (2011)A General History of the Scie…Romanticism and the Gothic: Genre, Reception, and Canon-Formation (2003)Romanticism and the Gothic: G…Mendelssohn (2003)MendelssohnThe Free Fantasia and the Musical Picturesque (2001)The Free Fantasia and the Mus…The Historical Performance of Music (1999)The Historical Performance of…Rethinking Music (1999)Rethinking MusicAncients and Moderns: William Crotch and the Development of Classical Music (1999)Ancients and Moderns: William…The John Marsh journals : the life and times of a gentleman composer, 1752-1828 (1998)The John Marsh journals : the…The Cambridge Companion to the Piano (1998)The Cambridge Companion to th…Concert life in London from Mozart to Haydn (1994)Concert life in London from M…The Rise of Musical Classics in Eighteenth-Century England: A Study in Canon, Ritual, and Ideology (1993)The Rise of Musical Classics …The early music revival: a history (1989)The early music revival: a hi…"Giant HANDEL" and the Musical Sublime (1986)"Giant HANDEL" and the Musica…Bach, Handel, Scarlatti, tercentenary essays (1985)Bach, Handel, Scarlatti, terc…Some British Collectors of Music, c. 1600-1960 (1965)Some British Collectors of Mu…The Orchestra of the Cappella Reale, Naples, 1750–1800 (2025)The Orchestra of the Cappella…Science and Sensation in Romantic Poetry (2008)Singularity and the Literary Market (2014)A New Perspective on the Minerva Press's “Derivative” Novels: Authorizing Borrowed Material (2015)Music After All (2009)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The Imaginary Museum of Musical Works (1994)Music Revivals: Towards a General Theory (1999)The End of Early Music (2007)Biblical scholarship and literary criticism (1997)The Cambridge History of Literary Criticism (1997)The orchestral revolution: Haydn and the technologies of timbre (2013)Historical performance and the modern performer (2002)Creativity in performance (2005)Vocal performance in the seventeenth century (2012)Urban growth and economic change: from the late seventeenth century to 1841 (2000)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)Classical scholarship and literary criticism (1997)The Cambridge History of Music Criticism (2019)Genre, Romanticism and Female Authorship: Fanny Hensel's ‘Scottish’ Sonata in G Minor (1843) (2007)The Cambridge Companion to the Symphony (2013)The Viennese symphony 1750 to 1827 (2013)Performing identity within a multicultural framework (2005)Choreomusical Conversations: Facing a Double Challenge (2011)Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)The Cambridge History of Musical Performance (2012)
this work references cited by second hop

References

  • 1999Rethinking Music206 cited
  • 1989The early music revival: a history177 cited
  • 1994Concert life in London from Mozart to Haydn158 cited
  • 2011A General History of the Science and Practice of Music148 cited
  • 2001The Free Fantasia and the Musical Picturesque132 cited
  • 1999The Historical Performance of Music114 cited
  • 2003Mendelssohn109 cited
  • 2003Romanticism and the Gothic: Genre, Reception, and Canon-Formation106 cited
  • 1986"Giant HANDEL" and the Musical Sublime101 cited
  • 1998The Cambridge Companion to the Piano93 cited
  • 1998The John Marsh journals : the life and times of a gentleman composer, 1752-182882 cited
  • 1999Ancients and Moderns: William Crotch and the Development of Classical Music77 cited
  • 1965Some British Collectors of Music, c. 1600-196072 cited
  • 2017Europe, Empire, and Spectacle in Nineteenth-Century British Music69 cited
  • 1985Bach, Handel, Scarlatti, tercentenary essays63 cited
  • 1993The Rise of Musical Classics in Eighteenth-Century England: A Study in Canon, Ritual, and Ideology58 cited

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Cited by

  • 2025The Orchestra of the Cappella Reale, Naples, 1750–18002 cited