Bach, Handel, Scarlatti, tercentenary essays

Abstract

1. Handel and Music for the Earl of Carnarvon Graydon Beeks 2. Aria and Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard 3. Handel and Hanover Donald Burrows 4. Muzio Clementi as an Original Advocate, Collector and Performer, in Particular of J. S. Bach and D. Scarlatti Stephen Daw 5. Handel's Early London Copyists Winton Dean 6. The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller 7. The Mietkes, the Margrave and Bach Sheridan Germann 8. Handel's 'Chandos' and Associated Anthems: An Introductory Survey Gerald Hendrie 9.'Der Himmel weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel Robert Hill 10. Did J. S. Bach Compose the F minor Prelude and Fugue BWV 534? David Humphreys 11. In Search of Bach the Organist Peter Le Hurry and John Butt 12. Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti Mark Lindley 13. Bach and Handel as Teachers of Thorough Bass Alfred Mann 14. Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology Robert L. Marshall 15. Bach, Handel, D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli 16. Does 'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch 17. The B minor Mass - Perpetual Touchstone for Bach Research Hans-Joachim Schultze 18. Remarks on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando Tagliavini 19. Figurae in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction Peter Williams.

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