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Bach, Handel, Scarlatti, tercentenary essays
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2004Handel the Investor29 cited
  • 2005Bach's extraordinary temperament: our Rosetta Stone--127 cited
  • 2001What’s in a name? Handel’s autograph annotations11 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1990Integrity and Improvisation in the Music of Handel6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2007Elements of rhythmic inequality in the arias of Alessandro Scarlatti and Handel5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn4 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2022Bach, Handel and Scarlatti

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2 cited