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Cited by

• 2003The Metaphor of Musical Space65 cited
• 1995Functional Harmony Revisited: A Prototype-Theoretic Approach59 cited
• 2023Tonality35 cited
• 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music33 cited
• 2020The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content21 cited
• 2018A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena17 cited
• 2023Key-Specific Structure in Mozart's Music: A Peek into his Creative Process?14 cited
• 2014Information Flow and Repetition in Music12 cited
• 2015Introducing music students to harmony – an alternative method9 cited
• 2018Schoenberg’s Sentence8 cited
• 2023Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett6 cited
• 2013A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice5 cited
• 2017How do conductors’ movements communicate compositional features and interpretational intentions?5 cited