SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Scars of Conquest/Masks of Resistance
0 references·10 citing·34 second hop
Scars of Conquest/Masks of Resistance (1995)Scars of Conquest/Masks of ResistanceCaribbean Literature in Transition, 1970–2020 (2020)Caribbean Literature in Trans…The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube (2016)The new technologies and the …‘Just give us the bones!’: theatres of African diasporic returns (2011)‘Just give us the bones!’: th…Homing Modern Freedoms (2009)Homing Modern FreedomsGreek tragedies in West African adaptations (2004)Greek tragedies in West Afric…Yoruba Gods on the American Stage: August Wilson'sJoe Turner's Come and Gone (1999)Yoruba Gods on the American S…Soyinka, Euripides, and the Anxiety of Empire (1999)Soyinka, Euripides, and the A…Beyond Unicentricity: Transcultural Black Presences (1999)Beyond Unicentricity: Transcu…The Wound of History: Walcott'sOmerosand the Postcolonial Poetics of Affliction (1997)The Wound of History: Walcott…“Access to rather than ownership of”: South African theatre history and theory at a crossroad (1996)“Access to rather than owners…Oral Literature in Africa (1971)In my father's house: Africa in the philosophy of culture (1992)Oral Literature in Africa (2012)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Identity : community, culture, difference (2003)Urbanised soundtracks: youth popular culture in the African city (2013)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Prevention of demoralization in prolonged bicultural conflict and interaction: The role of cultural receptors I – Description of a natural experiment (2012)The Location of Culture (2012)Myth, Literature and the African World (1978)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Comparative American Identities: Race, Sex and Nationality in the Modern Text (1991)Images of African Traditional Religions and Christianity in Joe Turner's Come and Gone and the Piano Lesson (2003)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)The “Alpha and Omega” Of Haitian Literature: Baron de Vastey and the U.s. Audience of Haitian Political Writing (2012)Discourse on Colonialism (2014)Masks of conquest: literary study and British rule in India (1990)Slavery and Social Death. A Comparative Study (1983)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)Wole Soyinka (2003)Dionysus after Nietzsche (2020)Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)The Wretched of the Earth (2000)Fated to Unoriginality: The Politics of Mimicry in Derek Walcott's Omeros (2006)Derek Walcott’s Odysseys (2007)Race, American literature and transnational modernisms (2008)Arrest the music!: Fela and his rebel art and politics (2005)Clicks, Cabs, and Coffee Houses: Social Media and Oppositional Movements in Egypt, 2004-2011 (2012)Research in African Literatures (2014)Culture and Imperialism. (1994)Necropolitics (2003)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1999Soyinka, Euripides, and the Anxiety of Empire51 cited
  • 1999Beyond Unicentricity: Transcultural Black Presences48 cited
  • 1997The Wound of History: Walcott'sOmerosand the Postcolonial Poetics of Affliction26 cited
  • 2004Greek tragedies in West African adaptations18 cited
  • 2020Caribbean Literature in Transition, 1970–202011 cited
  • 2011‘Just give us the bones!’: theatres of African diasporic returns11 cited
  • 2009Homing Modern Freedoms9 cited
  • 1999Yoruba Gods on the American Stage: August Wilson'sJoe Turner's Come and Gone9 cited
  • 1996“Access to rather than ownership of”: South African theatre history and theory at a crossroad6 cited
  • 2016The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work