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Jazz singing: America's great voices from Bessie Smith to Bebop and beyond
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Cited by

  • 2002Louis Armstrong and the Syntax of Scat83 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2001Cinema and Popular Song16 cited
  • 2005Ambi‐diegetic Music in the Movies: The Crosby Duets in High Society12 cited
  • 2001Music as Ethnic Marker in Film9 cited
  • 2001Picturizing American Cinema9 cited
  • 1999Torch7 cited
  • 2001Crossing Musical Borders5 cited
  • 2001Surreal Symphonies4 cited
  • 2017The Dance Hall, Nazi Germany, and Hell: Accruing Meaning through Filmic Uses of Benny Goodman’s “Sing Sing Sing”2 cited
  • 1994Purple passages or fiestas in blue?: Notes toward an aesthetic of vocalese2 cited
  • 1995Friendly Entertainers: Dance Bandleaders and Singers in the Depression, 1929–19352 cited
  • 1995Purple Passages or Fiestas in Blue? Notes Toward an Aesthetic of Vocalese2 cited

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