SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Heartland Excursions: Ethnomusicological Reflections on Schools of Music
0 references·16 citing·53 second hop
Heartland Excursions: Ethnomusicological Reflections on Schools of Music (1996)Heartland Excursions: Ethnomusicological …Music, Encounter, Togetherness (2024)Music, Encounter, TogethernessApplications of the Developmental Model of Intercultural Sensitivity (DMIS) in Music Education (2023)Applications of the Developme…Authoritative discourse in advanced studio lessons (2020)Authoritative discourse in ad…Dilemmas of purpose in higher popular music education: A critical portrait of an academic field (2017)Dilemmas of purpose in higher…The agency of dead musicians (2015)The agency of dead musiciansUndergraduate Double Majors’ Perceptions of Performer and Teacher Identity Development (2014)Undergraduate Double Majors’ …The west and the rest of classical music: Asian musicians in the Finnish media coverage of the 1995 Jean Sibelius Violin Competition (2014)The west and the rest of clas…Improvisation in the digital age: New narratives in jazz promotion and dissemination (2014)Improvisation in the digital …Face-to-face and distance teaching and learning in higher education: Lessons from the preparation of professional musicians (2014)Face-to-face and distance tea…A critique of the music school as a conservative system of music production (2014)A critique of the music schoo…Exploring a metamorphosis: Identity formation for an emerging conductor (2013)Exploring a metamorphosis: Id…Introduction to the Special Issue: The Ethnomusicology of Western Art Music (2011)Introduction to the Special I…Musicians as lifelong learners: discovery through biography (2010)Musicians as lifelong learner…Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England (2007)Déjà Vu? Folk Music, Educatio…Gender and Participation in High School and College Instrumental Jazz Ensembles (2004)Gender and Participation in H…Redesenhando as fronteiras do gosto: estudantes de música e diversidade musical (1999)Redesenhando as fronteiras do…Heartland excursions: ethnomusicological reflections on schools of music (1995)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Musicians as Lifelong Learners (2009)Oh Canada meets Scotland the Brave: Identity, Meaning, Culture, and Music Learning in an Intergenerational Canadian-Scottish Pipe Band (2020)Survey Research Methods. (1985)Gender Roles and Women's Achievement-Related Decisions (1987)A power primer. (1992)Undergraduate Music Majors’ Perceptions of Instrumental Conducting Curricula (2010)Gender and Instrument Associations, Stereotypes, and Stratification (2012)Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras (2019)The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-Making in an English Town. (1990)The Cultural study of music: a critical introduction (2003)Class, Control, and Classical Music (2019)Remaking Classical Music: Cultures of Creativity inPleasure Garden (2019)Music under the Ground: Ethnomusicological Research on the Ground-Bow in Africa (2021)Elite discourse and racism (1987)Elite Discourse and Racism (1993)Spaces of Identity (2002)Music and Anti-Racism: Musicians’ Involvement in Anti-Racist Spaces (2018)“A Man Is Practically the General Norm” – A Case Study of Gender Inequality and Whiteness in the Classical Music Scene in Finland (2022)College Music Symposium (1962)Music talent, and performance: a conservatory cultural system (1988)Culture, Class, Distinction (2009)Review of literature on the career transitions of performing artists pursuing career development (2016)A Theoretical Framework of Trust in Large Community Ensembles (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)The Audible Past (2003)What is social death? (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Death of the Salesman but Not the Sales Force: How Interested Promotion Skews Scientific Valuation (2019)Posthumous consecration in rock’s legitimating discourse (2020)Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions (1987)Transforming music education (2003)Online and Face-to-Face Voice Instruction (2018)Online learning in higher music education: Benefits, challenges and drawbacks of one-to-one videoconference instrumental lessons (2020)Self-Determination Theory for Motivation in Distance Music Education (2021)The characteristics of subject matter in different academic areas. (1973)Academic tribes and territories (1989)A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment (2013)Finding our way: The experiences of a rapper and his advisor in a bachelor of music programme (2020)Constructing popular music programs at Higher Music Education Institutions across Europe (2022)Motivations and expectations of higher popular music education in Scotland: Student perspectives (2023)Mind in Society: The Development of Higher Psychological Processes (1978)The Dialogic Imagination: Four Essays (1981)Situated Learning (1991)Feedback in the instrumental music lesson: A qualitative study (2022)Pedagogical practices, curriculum development, and student experiences within postsecondary music education: A systematic literature review (2022)Power relations in the music teaching studio (2023)The Principles of Psychology (1891)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)The way we think: conceptual blending and the mind's hidden complexities (2002)Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2004Gender and Participation in High School and College Instrumental Jazz Ensembles57 cited
  • 2011Introduction to the Special Issue: The Ethnomusicology of Western Art Music40 cited
  • 2014The west and the rest of classical music: Asian musicians in the Finnish media coverage of the 1995 Jean Sibelius Violin Competition31 cited
  • 2014Face-to-face and distance teaching and learning in higher education: Lessons from the preparation of professional musicians22 cited
  • 2013Exploring a metamorphosis: Identity formation for an emerging conductor18 cited
  • 2024Music, Encounter, Togetherness17 cited
  • 2020Authoritative discourse in advanced studio lessons17 cited
  • 2017Dilemmas of purpose in higher popular music education: A critical portrait of an academic field16 cited
  • 2010Musicians as lifelong learners: discovery through biography15 cited
  • 2015The agency of dead musicians13 cited
  • 2023Applications of the Developmental Model of Intercultural Sensitivity (DMIS) in Music Education12 cited
  • 2014Improvisation in the digital age: New narratives in jazz promotion and dissemination8 cited
  • 2014A critique of the music school as a conservative system of music production8 cited
  • 1999Redesenhando as fronteiras do gosto: estudantes de música e diversidade musical

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited
  • 2007Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England6 cited
  • 2014Undergraduate Double Majors’ Perceptions of Performer and Teacher Identity Development5 cited