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The power of black music: interpreting its history from Africa to the United States
0 references·16 citing·53 second hop
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  • 2011Specters of Democracy157 cited
  • 2019Loving Music Till It Hurts145 cited
  • 1998The Cambridge History of American Music120 cited
  • 2010“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture112 cited
  • 2010Garage band or GarageBand®? Remixing musical futures101 cited
  • 2015YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus84 cited
  • 2016The Cambridge Companion to Percussion73 cited
  • 2004Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination68 cited
  • 2014“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.49 cited
  • 1998Art music from 1800 to 186047 cited
  • 2019Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley46 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2004The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies37 cited
  • 2017Jazz, Mediation, Ontology35 cited
  • 1999Black sound, black body: Jimi Hendrix, the electric guitar, and the meanings of blackness

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35 cited
  • 2010Language in Action: Funk Music as the Critical Voice of a Post–Civil Rights Movement Counterculture30 cited