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Rocking the State: Rock Music and Politics in Eastern Europe and Russia
0 references·16 citing·47 second hop
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Cited by

  • 2007Playing to the Crowd: The Role of Music and Musicians in Political Participation83 cited
  • 2004When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests44 cited
  • 2013Voicing freedom, sounding dissent: Popular music, simulation and citizenship in democratizing Albania, 1991–199724 cited
  • 2008Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s19 cited
  • 1996Wedding Musicians, Political Transition, and National Consciousness in Bulgaria14 cited
  • 2010“Spit and Sing, My Yugoslavia”: New Partisans, social critique and Bosnian poetics of the patriotic14 cited
  • 2011Stairway to Hell: The Yugoslav Rock Scene and Youth during the Crisis Decade of 1981–199113 cited
  • 2017Rethinking Class in Socialist Yugoslavia: Labor, Body, and Moral Economy12 cited
  • 2000Listening patterns and identity of the Korean diaspora in the former USSR’111 cited
  • 2008Yu-Rock in the 1980s: Between Urban and Rural11 cited
  • 1996Music and Marginality10 cited
  • 2021Transforming cultural policy in Eastern Europe: the endless frontier10 cited
  • 2015‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’9 cited
  • 2018

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Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music
9 cited
  • 1996The Dialectic of Economics and Aesthetics in Bulgarian Music9 cited
  • 2008“Drive-Ethno-Dance” and “Hutzul Punk“: Ukrainian-Associated Popular Music and (GEO)Politics in a Post-Soviet Context8 cited